Showing posts with label AL WILLIAMSON. Show all posts
Showing posts with label AL WILLIAMSON. Show all posts

Wednesday, 14 June 2023

'JEDI' AT 40: ENTERING THE DOMAIN OF JABBA THE HUTT!


The shield door to Jabba's palace has opened and a bold Artoo has trundled forward only to be barred by the intimidating shape of bulky Gamorrean Guards. Soon enough, the Astro Droid and Threepio encounter Jabba's 'Major Domo' in the Twi'lek Bib Fortuna, soon wanting the truth about the droids unusual visit.

A gorgeous scene production painting by Ralph McQuarrie that was effectively used as early publicity for the then Revenge of the Jedi back in late 1982, appearing in numerous sci-fi film mags of the time keen to publicize the eagerly-awaited film.


The sequence as captured in Al Williamson and Carlos Garzon's MARVEL comics adaptation of the film in 1983.


Early concept art for Bib Fortuna by McQuarrie.

Another McQuarrie idea.


Art by Nilo Rodis-Jamero.

Final locked in design by Phil Tippett. Art by Nilo Rodis-Jamero.



Tuesday, 9 May 2023

'JEDI' AT 40: AT THE PALACE GATES!


"We'd better knock, I suppose..."

Now arrived at Jabba's Palace main shield door entrance, Threepio's attempts to escape their upcoming visitation predicament come to now avail. After communicating with a strange droid communications probe, the two are soon given access to the interior, with the bold Artoo Detoo striding into the unknown first...

Threepio talks Huttese to the palace gate keeper!

The sequence would be filmed around the 12th and 13th January, 1982 at Elstree Studios (of which the set was constructed directly in the middle of Stage 6), supervised and directed by Richard Marquand. Only the remote controlled Artoo would be used during this filming.


The droids on set at Elstree Studios.

Knocking on the door, watched by the crew.

Principal Threepio Costume/Prop Assistant Toby Lofthouse helps Anthony Daniels on set as filming continues, captured in continuity polaroid.


"We'd better go!" Too late for Threepio, the stronghold door is already ascending...

Artoo takes the initiative.




Wide shot enhancement with ILM matte painting. Image via Ben Ageros Collection.


The scene as captured in the MARVEL Comics adaptation of 1983. Art by Al Williamson and Carlos Garzon.


Thursday, 23 March 2023

COMING MAY 25TH, 2023: 'RETURN OF THE JEDI - A COLLECTOR'S CLASSIC BOARD BOOK'


Abrams Books is stylishly getting into the celebratory spirit for Return of the Jedi's Fortieth Anniversary this year, with a lovely venture that takes Al Williamson's epic Marvel Comics adaptation art from 1983 to a new level of enjoyment, especially for younger age readers...

The official release info: 

An epic retelling of Return of the Jedi for Star Wars fans of all ages, with classic art from comics icon Al Williamson.

Experience the original movie like never before! Follow the adventures of favourite characters during some of the most memorable moments in Stra Wars history: from Luke Skywalker, Princess Leia, and Han Solo's escape from Jabba the Hutt; to Luke's showdown with Darth Vader; to the climactic Battle of Endor, where the fate of the galaxy hangs in the balance.

With art from comics legend Al Williamson, gatefolds, and a cinematic feel, this collector's board book is the perfect gift no matter your generation, for both lifelong Star Wars fans and the littlest Padawans.

Wednesday, 22 March 2023

'JEDI' AT 40: MISTER MOTIVATOR COMES TO THE DEATH STAR!

Darth Vader confers with Moff Jerjerrod in a specially posed publicity image.

Darth Vader immediately makes his mark on the Imperial officers with his arrival at the second Death Star, as a shocked and surprised Moff Jerjerrod (Michael Pennington, brilliantly dropping his 'adam's apple' early on) realises that the station's construction must be put back on schedule at all costs, especially so with Vader's news that the Emperor himself is on his way to inspect the ultimate weapon in the not too distant future...


Another specially posed image - note that Vader and Jerjerrod are walking in the opposite direction to what was seen in the film, as the immense hangar set was only half built from one side.

The Emperor is coming to the Death Star! A great posed image, of which a similar B/W would be adapted for use in the Marvel comics adaptation of the film.


Al Williamson and Carlos Garzon's artwork for the scene in the 1983 Marvel adaptation, which primarily adapted publicity stills. 

B/W outtake from the famous Vader publicity shoot used for the film's magazines/tie-in's and merchandise.

Having had a superb time working with director Irvin Kershner on The Empire Strikes Back in developing the 'thinking man's Darth Vader', actor/body builder Dave Prowse's return to the Star Wars filming universe from February 18th and 19th, then in and out towards April, 1982, is sadly not so welcoming by the new production team regime, as his scenes playing the character are scaled back primarily to posed publicity images and walking/conversation sequences on the second Death Star's key sets whilst stuntman Bob Anderson (having previously played Vader to great success in action scenes for TESB) becomes the primary actor to play the role for the film's showpiece lightsaber duel sequence, and its key dialogue sequences linked to Luke and the Emperor. Not enjoying working with new director Richard Marquand (who largely ignores the actor and any suggested input from Prowse), not allowed to see the film's entire script (indeed, with the total secrecy surrounding the project, Prowse is often given fake lines to say as Vader that will be replaced with the real ones spoken by James Earl Jones during 1983 post production), and overall feeling untrusted - regarded as a security leak due to his friendly and enthusiastic connections with the Star Wars fan base, as well as a then mostly positive relationship with the British press - it's no wonder that the actor would go on to famously consider his brief time spent on Return of the Jedi as the most unpleasant experience he'd ever had on a film set. But worse is still to come, and in the most unfair of ways, for Prowse at Elstree in the not too distant future...

Continuity polaroid of Michael Pennington and Dave Prowse on the hangar set - February, 1982.

Enthused and ambitious British director Richard Marquand is keen to continue using the best and brightest of the British acting community's talent on the film, even using/recommending friends he'd previously worked with or known whilst he himself had briefly been in the acting profession during the late sixties and early seventies. Acclaimed British Casting Director Mary Selway Buckley would be on hand to equally advise Marquand. Michael Pennington was once such popular stage actor that Marquand was keen to use for an Imperial, especially in the role of the nervy but loyal Moff Jerjerrod. Across the period of filming, Pennington's on-set stand-in was Jack Dearlove, whilst Dave Prowse's was Roy Emerson.


Michael Pennington in a posed publicity image as Moff Jerjerrod.

In the original drafts, Jerjerrod's character was to have had a much more expanded role as a rival to Darth Vader in the Emperor's eyes - picking up where Vader failed in trying to capture Luke. He was, in effect, the Emperor's Counsel (and Vader would have to salute him!). As a result, Vader was to be very jealous of Jerjerrod. The ambitious Moff was also not supposed to be quite as nervous and cowardly as he ended up being during the beginning of the final film. In fact, he mouthed off to Vader quite a few times and there was always an air of competition between the two. In the final draft, however, Jerjerrod's role was reduced and even more so when the eventual final cut of the film was released. It is widely believed that Jerjerrod wears the wrong rank badge due to a "blooper" during production on ROTJ, as claimed, for instance, at the Star Wars Technical Commentaries fan website. However, there seems to be no direct proof supporting this, and Jerjerrod's insignia need not, in fact, be inappropriate for his rank.

The expansive Death Star hangar set primarily built as a one half side only set located on the prestigious Star Wars Stage at Elstree would house a specially built (from ILM design plans) partial replica of the superb Imperial Shuttle set. More on that, behind the scenes-wise, with the later arrival of the Emperor...



Thursday, 18 November 2021

AN 'EMPIRE' AT 40: RESCUING LUKE!



The Falcon moves slowly and carefully into position as Lando readies himself via the to hatch to rescue Luke Skywalker.

Originally, it was planned that the bruised and beaten Luke would fall from the damaged underbelly antenna after pieces of it snapped, and the Falcon would speed to his rescue, catching his descent on its exterior hull. This was likely changed for time and effects filming practicalities.

Ken Ralston makes an adjustment to the Luke figure on the upside down cloud city landscape, which made things easier for camera filming.

Storyboards for the scene.


Rescuing Luke, the Falcon makes a swift departure as TIE fighters arrive and pursue.

As originally scripted and adapted in the original 1980 Marvel Comics Special: Luke falls when the vane breaks and the Falcon catches his fall. Art by Al Williamson and Carlos Garzon.


Monday, 15 November 2021

AN 'EMPIRE' AT 40: 'BRING MY SHUTTLE!'


As Imperial Stormtroopers continue invading Cloud City, an angry Darth Vader (Dave Prowse), frustrated with Luke's sacrifice, makes ready to depart to his Star Destroyer in this outtake shot from the classic posed publicity image, alongside film extra Patrick Ginter as an Imperial Officer.  

As dictated in the original Fifth Draft script of 20/2/79, Vader walked onto the landing platform as the Falcon escaped into the air. Aware of Luke's dangerous predicament, Vader would say to himself: "Ben cannot help you now, young Jedi!" The scene was filmed as scripted (with Vader referring to one aide rather than the two in the script) but rearranged in the final cut with new dialogue as he instead angrily calls for his shuttle (James Earl Jones dialogue recorded in late post production). The scripted scene (5408) is, however, in the Marvel Comics adaptation, also released before the film in May 1980.



 

Tuesday, 2 November 2021

AN 'EMPIRE' AT 40: "I AM YOUR FATHER!"

The moment, as rendered in art for the Marvel Comics adaptation of the film, and a revelation that was published a short time before the film was actually in cinemas.

Marked as 'Scene 400' in one of the shooting scripts, the now legendary moment where Darth Vader reveals the truth about his family lineage to Luke would be a milestone for both the Star Wars saga and film pop culture. 

Interestingly, in a 2023 documentary interview, Marcia Lucas recalled a dinner after the release of the original Star Wars, where she, then husband George, with Willard Huyck and his wife Gloria Katz were talking about the problems of crafting a sequel to the biggest hit of all time. According to Marcia, Willard jokingly told a stuck for ideas George that he could always make Darth Vader, Luke's antagonist, his father. Clearly, the idea stayed in George's mind. Only Marcia Lucas recalls this moment, however.

Of the eventual classic scene, Mark Hamill would state in a 1980 European press interview: 

"Harrison (Ford) and I saw the film for the first time together and he leaned over to me and said (Mark does a perfect imitation of Harrison's low, slow speech), 'I didn't know that, kid. I only read my part.'”

I had to know in order to react in the proper way. I memorized everything they put in the script, then transposed it to what was really going to be. I felt that the emotional impact the revelation at the end of the picture had on me would serve as a climax. It never really hit me until I saw the finished movie how much of a cliffhanger it really is, mostly because it's such a stalemate between Vader and myself.”

Lucas recalled the Vader revelation controversy to Leonard Maltlin in a 1995 interview for the release of The Empire Strikes Back on VHS:

“People were curious about whether it was true or not, and I purposefully left it so it would be ambiguous, so that you wouldn't really know and people would sort of debate it for the next two years or more...”

Deliberately not told of the revelation by Lucas, Kershner and Kurtz, who were less trusting of him with such an important secret, Dave Prowse was ultimately stunned and shocked when he saw one of the film's early screenings. Though upset at not being trusted, he would jokingly tap director Kershner on the head in mock anger for keeping such an important secret about the character to himself...

Defining Moments: "I Am Your Father" | Lucasfilm.com

Audience reaction to an original 1980 70mm US theatrical screening:

https://www.youtube.com/watch?v=HMGnKhxhTWg

Wednesday, 17 March 2021

AN 'EMPIRE' AT 40: THE LOST JEDI TRAINING SCENES!


Though further Jedi training sequences had to be cut from Empire's filming schedule primarily due to time and money reasons, these intriguing lost moments did at least get to become comic strip reality within the pages of the Marvel Comics 1980 adaptation of the film, as seen in this special panel art by Al Williamson and Carlos Garzon, of which the original version of Yoda as developed by Joe Johnston can also be seen.

Monday, 27 April 2020

AN 'EMPIRE' AT 40: A DARK LORD OBSESSED...


He'd been the second villain, very much the strong arm to the evil Governor Tarkin, for most of the original Star Wars, but not so with the return of the Sith Lord Darth Vader in the then eagerly-awaited The Empire Strikes Back, and an epic tale that would feature the world's favourite super-villain in a more darkly complex, darkly thoughtful and monstrously dangerous way than we'd seen before. Vader was not previously happy with the destruction of the Death Star, nor thrilled by having his prototype TIE fighter damaged and spinning out into deep space by a surprise appearance from the Millennum Falcon. Both the hunt for Luke Skywalker, destroyer of the Death Star, of whom the Force is very strong within him, and the capture of his unique friends, being the obsessive focal point to Vader's psyche within the important first sequel's plotting...

Terrific 1980 art by Al Williamson and Carlos Garzon of Vader, later to adorn a memorable full colour cover to the UK's Star Wars Weekly comic, from Marvel.

Saturday, 20 April 2013

CLASSIC BLOG: AL WILLIAMSON - A COMIC LEGEND JOINS THE FORCE...

Classic Al Williamson art for the LOS ANGELES TIMES SYNDICATE STAR WARS strip from 1980.

A remembrance from June 12th 2010...


Sad news indeed this week-a legendary comic artist has gone. A superb visualist who was both an icon and friend to many of the artists that followed in his wake, Williamson will be a much missed figure in the ever expanding comic illustration universe.
I loved, and still love, his superb art for the 1980 comic book adaptation of THE EMPIRE STRIKES BACK-one of the greatest adaptations ever realized in a comic book world and genre now choc a block with pretty average film conversion art work- and which, thirty years on, still shines greatly (I’ll never forget seeing the original US MARVEL comics and salivating over his work in full colour, and being thoroughly blown away by it, after originally seeing it reproduced in black and white only in the UK’s THE EMPIRE STRIKES BACK WEEKLY comic), as does his 1983 work, despite many pressures and a script that was still top-secret, for the MARVEL RETURN OF THE JEDI mini-series. And let’s not forget his lovely inking of THE PHANTOM MENACE adaptation in 1999, either. With his drawing experiences of all kinds of heroes-from FLASH GORDON to SECRET AGENT X-1-both Williamson and regular MARVEL/LOS ANGELES TIMES NEWSPAPER STAR WARS writer Archie Goodwin were a superb combination- and great selectees made by LUCASFILM- to bring STAR WARS into the 1980’s comic universe. (Oh, and don’t forget the Goodwin/Williamson MARVEL version of Harrison Ford’s BLADE RUNNER, too!)
Wherever there are people who enjoy reading comic books and loving comic book art-of seeing and thrilling to tales of heroes, villains, beautiful princesses and worlds beyond imagination, their work, including STAR WARS, will live forever...

Thursday, 26 April 2012

CLASSIC ART: DEADLY ENTERPRISE


Promises of a future partnership to come are hinted at by writer Archie Goodwin and artist Al Williamson in one of the Classic STAR WARS newspaper strips for the Los Angeles Time Syndicate, from the early eighties story Showdown, which also features guest appearances from several other ESB bounty hunters, too, and is set on Ord Mantell.

Saturday, 18 February 2012

AFICIONADO COMPETITION: 10 "EPISODE I" FILM ADAPTATION GRAPHIC NOVELS UP FOR GRABS!



Win STAR WARS: Episode I - The Phantom Menace in 3D Graphic Novels!

To celebrate the release of STAR WARS: Episode I - The Phantom Menace in 3D on 9th February, we have some awesome graphic novels to give away.

Whether you're an old fan or new, there's no denying that seeing Star Wars on the big screen is an event not to be missed -- especially when it's the first Star Wars movie to ever be presented in spectacular 3D! The duel with Darth Maul, the harrowing Tatooine Podrace, the first meeting of Artoo and Threepio, and the introduction of the Star Wars Saga's tragic hero, Anakin Skywalker, are all back in an all-new 3D presentation of Episode I, an experience that promises to truly surround you with the Force!


From Titan Books, the perfect companion to the release of Star Wars: Episode 1 – The Phantom Menace in 3D, this graphic novel adaptation, by popular THE CLONE WARS writer Henry Gilroy, with inks by the legendary artist Al Williamson- and including scenes and dialogue that didn't make the finished movie- is a must read for any Star Wars follower. 


To be in with a chance of winning, just answer the below question:

Who is Luke Skywalker’s father?

A.      Yoda
B.     Darth Vader
C.      Obi-Wan Kenobi

Send your answer to: s.weller2@googlemail.com by Wednesday 22nd February, with email subtitle GRAPHIC NOVEL and your postal address. Winning names will be drawn from our Don Post Darth Vader mask once again!

Please note: this competition is only available to UK readers.

Star Wars® and all characters, names and related indicia are trademark of & © 2012 Lucasfilm Ltd.

With thanks to our friends at TITAN BOOKS and SUBSTANCE.

Good luck, and May the Force be With you!

EPISODE I: back on the big screen, and now in 3D.

Wednesday, 25 January 2012

STAR WARS AT 35: THE LOST "STAR WARS" STRIP ADAPTATION

Back to the beginning for Al Williamson's never completed STAR WARS adaptation.

Before he and iconic comics writer Archie Goodwin fully collaborated on the LOS ANGELES TIMES SYNDICATE STAR WARS newspaper strips set between STAR WARS and EMPIRE, and then later between EMPIRE and JEDI, the late, great artist Al Williamson had worked with his scribe compatriot on some B/W test strips for a 1978 adaptation of the original STAR WARS, their involvement in the saga specially requested by George Lucas, who particularly loved the duo's prior work over the years. Sadly, due to other more pressing project commitments by Williamson, a full strip adaptation was never completed or officially released, but in his 1983 Art of Al Williamson book a few examples of this great work did eventually see the light of day (of which two weeks worth of art had been completed before the project died).

As far as I'm aware, DARK HORSE comics never published this material when they did their popular publishing strand of the LATS material, so here's hoping that someone showcases this great art at some point in the not too distant future...

For more on Al Williamson's superb work, in both STAR WARS and comics mediums in general, check out this great Blog feature: FRED EGG COMICS

Al Williamson's unpublished original strip illustration examples on the STAR WARS production office wall at the Uk's Elstree Studios in Summer 1979: STAR WARS AFICIONADO MAGAZINE: MICHEL PARBOT