Showing posts with label 1982. Show all posts
Showing posts with label 1982. Show all posts

Wednesday, 3 June 2026

ACTION HEROES! THE REBEL COMMANDOS OF 'RETURN OF THE JEDI'


Two of the Rebels' finest commandos work alongside the small but indomitable Ewoks of the Endor forests to attack an approaching AT-ST, during the epic battle finale to Return of the Jedi - a great deleted scene image (likely improvised/planned during filming) from the photo collection of ILM veteran Stuart Ziff that was recently put on auction. I think it was a great shame that the shot footage of the Commandos was cut down to the bare minimum in the final film. I would have preferred a bit more screen time rewarded to them rather than the Ewoks during the battle, as they bravely brought cover fire to Han and Leia at the back door to the Imperial bunker. It would have been nice to have had a supporting character role for the Commandos squad leader too, liaising with Han and Leia, or for the specialist group to have had their own scene/s in the forest before rendezvousing with Han and Leia for the bunker conflict.

Enjoy this selection of images featuring the Commandos, primarily from the Redwoods location filming circa May, 1983....


Tracey Eddon, Dickey Beer and an unknown actor with the droids on the newly arrived Endor.

Capturing a Speeder Bike Trooper guarding the Imperial Bunker back door.

One of the seasoned warriors wears the captured Imperial disguise so as to buy time for Han, Leia and the others to infiltrate the bunker.

Close-in shot of several commandos used for marketing and merchandising from 1983 onwards.


It's a trap! Han, Leia, Chewbacca and the commandos (including Larry Holt and Dickey Beer) are caught by the Imperial legion.


Our heroes (including Tracey Eddon) briefly captured by the Imperials.

A great posed capture shot (also featuring Tracy Eddon) used for early magazine pictorial promotion.

A terrific posed shot for the battle at the bunker.

Primarily appearing in the UK filming deleted scene.

Cliff Alliston at the location.

Other extras captured in continuity reference polaroid images during location filming.





Costume continuity image.


Wednesday, 3 December 2025

CLASSIC McQUARRIE: LUKE VS RANCOR!


Luke Skywalker has effectively fallen into Jabba the Hutt's creepy hands and now finds himself in the sights of the loathsome crime lord's special 'pet', the Rancor, in this great concept art painting by Ralph McQuarrie for Return of the Jedi, which effectively shows the size of the underground vault housing the ferocious and always hungry beast! 


Wednesday, 19 November 2025

CLASSIC ART: 'RETURN' OF THE HEROES!


It's amazing how much concept commissioned movie poster work for a Star Wars film is commissioned and rejected, and all by such great talents. This is a fun all-action reworking of the original Hildebrandt Star Wars poster of 1975 for Return of the Jedi, with the iconic John Alvin adding Han Solo to the original but more seasoned Luke Skywalker and Princess Leia pairing amidst a Death Star backdrop. And all three atop the gross Jabba the Hutt, no less!

Wednesday, 12 November 2025

DELETED SCENE: A GATHERING OF VILLAINY!

The time of the Emperor's arrival on the new Death Star has come.

Darth Vader's prior work at motivating the building teams of the Death Star II has yielded effective results. Now the Dark Lord gathers with his top Imperial officers for the newly arrived, fearsome Emperor, who is eager to see the space station and test its supreme firepower. 

A well-known deleted scene from Return of the Jedi cut for time and pacing reasons, and sadly one of only a very few sequences filmed showcasing Dave Prowse as Vader...


Imperial officers await Vader by the elevator entrance to the hangar bay as the Emperor makes his arrival.

Vader and Moff Jerjerrod (Michael Pennington) lead the assembled senior officers to the hangar bay.


A Stormtrooper (Gerry Sherard) keeps watch in the corridor.


Friday, 13 June 2025

CLASSIC ART: THE RISE OF DARTH VADER...


The might and evil of the Galactic Empire as represented by its most formidable and life threatening 'attack dog' - Darth Vader, the stuff that true nightmares are made of for the Rebel Alliance opposing the machinations of the dreaded Emperor Palpatine.

Great art by Vincent Di Fate for the cover of the fourth issue of the eighties US magazine Video Gaming Illustrated.

Wednesday, 13 December 2023

'JEDI' AT 40: SPEEDY PURSUITS!


The chase is on for Luke and Leia as they commandeer a speeder bike to pursue and stop Imperial Scout Troops from giving away the Rebels secret arrival on Endor, during one of the many highlight action sequences beloved by fans worldwide from Return of the Jedi.

Check out this great from-animatics-to-shooting comparison of the exciting sequence from filmmaker Luke Asa Guidici. 





Monday, 13 November 2023

'JEDI' AT 40: INTRODUCING SY SNOOTLES...


The most popular and acclaimed alien singer on the star circuit, it can only be the memorable big-lipped Sy Snootles, belting out the popular 'Lapti Nek' hit track to the delight of her audience within Jabba the Hutt's palace on Tatooine.




Created by the ILM Creature Shop, Sy Snootles would become a popular monster by the time she reached the Elstree Studios set in early 1982, with extended red lips deliberately inspired by the iconic singer Mick Jagger. It's frame was operated by thin piano wire and rods from under the floor by puppeteers, whilst it's unique lips would sing to the microphone via a thin piece of piano wire that could pull them forward.


Maquette polaroid image by Phil Tippett.

Early under panel tests at ILM by Phil Tippett.

The fully conceived creature operated in more test filming by Tim Rose, presumably at ILM.

Some kind of test/rehearsal material. Close-up shots of Sy singing would also be performed by a puppeteer above set.




Saturday, 11 November 2023

'JEDI' AT 40: PARTY TIME WITH MAX REBO AND THE BAND!

Slightly different outtake to the standard publicity released image.

Every night is party night at Jabba the Hutt's palace, and what better way to celebrate his ongoing criminal activities and continuous profit-making than a performance from Max Rebo and his music trio, performing the sensational and irreplaceable number 'Lapti Nek' to the great worm ridden filth of a gangster, alongside a special dancing performance to her master from his number one Twi'lek slave girl, Oola.

Created by the ILM team in California across Summer to Winter 1981, Rebo, horn/saxophone player Droopy McCool and singer Sy Snootles would be shipped to England for filming at Elstree for mid to late January 1982 onwards.


Original Max Rebo maquette.

Maquette with his electronic organ equipment.

The creature costume under construction at ILM.

Getting a paint job from Phil Tippett.

The costume and prop organ now arrived at the UK.

Positioned ion set for filming within Jabba's Palace.

Phil Tippett at Elstree supervises the puppet.

Filming the band on the Throne Room set at Elstree in January/February 1982.

Close-up filming.

With a drunk Bib Fortuna in a deleted scene moment conceived by David Tomblin with a second unit.

Richard Marquand gives on-set instructions.

Droopy McCool (Deep Roy) and Max Rebo (Simon Williamson) on the Throne Room set between takes.

Droopy McCool- a true musical talent!



Sunday, 15 October 2023

'JEDI' AT 40: INSIDE DROID HELL!

Classic scene still used for marketing and publicity.

Our heroic droids now face a new life and dangers within Jabba the Hutt's evil domain, of which Threepio is not taking the change too well, sadly wondering what he has done to deserve this nightmare from his former master...

Built on Stage 7 for filming across February 17th - 19th, 1982, the corridor set outside the droid dungeon would be quite small, with a curved section that turns left into the main area. The far wall end of the main corridor would have a specially painted backdrop that made it look like the corridor goes further into the distance than it actually does. 

For this blackly comic sequence, numerous surviving Artoo shells, Threepio casings from The Empire Strikes Back, and a disassembled CZ-3 protocol droid suit, previously worn by Anthony Daniels and seen wandering around Mos Eisley for the original Star Wars, are re-used as prop set dressing as the damaged remains of previously tortured droids. A nice sight gag involving Threepio and the CZ-3 prop costume is created on set. 

Watch out for the clever camera trick at the beginning of the sequence where the droids are herded into  the room from the dank corridor. The three-legged Artoo unit enters the shot with Threepio and the Gamorrean Guards (likely played by Simon Williamson and Hugh Spirit). The camera then stays with Threepio as we follow the golden droid into the room-by this time the three-legged Artoo has disappeared off camera and the Kenny Baker operated shell is already present in the room by the time Threepio has neared the console area manned by EV-9D9 (a similar trick had been prior used for a scene in Star Wars, involving Artoo walking about Mos Eisley Spaceport's streets to Docking Bay 94). Like the corridor set leading into it, there is a painted background behind EV-9D9’s instrument panel to make it look as if the room is bigger than it actually is. 

As with the previous two films, the three legged remote controlled Artoo would bring its own fair share of problems to the shoot, aggravating directing Richard Marquand on a regular basis, recalling to Photoplay - June issue, 1983: “I hope I never have to work with Artoo Detoo again. Little monster. It was an eye opener. I had been told constantly, “Ha ha ha. Wait until you start shooting sequences involving the droids” and I didn’t pay any attention. Artoo is so charming and lovely on the screen, but is such a monstrous little thing. He has brainstorms. You pull out his plug at the wrong time in the morning and he freaks out. He’ll do a rehearsal perfectly and when you’re ready for a take he suddenly explodes or something. There are thirteen of them and each one does things but doesn’t do them all. You have to shoot them all separately and it just drives you crazy because he is one of the stars of the movie. He just gives that little upbeat “Beep!” at the right moment and everybody feels good again.”

Sadly, veteran supporting star Kenny Baker, when operating Artoo inside his two-legged incarnation, does not establish any kind of warm rapport with Marquand during the duration of filming, unlike his prior positive relationships with George Lucas and Irvin Kershner.  


Assigned their new duties...

"We've been without a protocol droid since our master got angry with our last one, and disintegrated him...!"

In early conceptual art, EV-9D9 started off life as an assassin droid.

The cruel EV-9D9.

Unseen outtake image.

Atmospheric image of the droid on set.

Originally, it had been planned for EV-9D9 to walk, but, three days before filming, tests indicate that effects aren’t able to convincingly bring it to life. With the EV-9D9’s dialogue being overdubbed, Richard Marquand, the voice of the character, has some fun with the on set dialogue-in one out-take, he orders the Gamorrean Guards to take Threepio away to be fitted with a “Lucas bolt”!  The character, puppet operated by Kiran Shah (as listed on a call sheet), may also have had some extra lines-similar cut dialogue is in both the film’s novelisation and in the comic adaptation: "You're a feisty little one, but you'll soon learn some respect. I have need for you on the master's Sail Barge. Several of our astro droids have been disappearing recently - stolen for spare parts, most likely. I think you'll fill in nicely." 


A Gonk/Power Droid is cruelly upside down with its feet burnt!

Whilst a medical droid is being torn apart. This was a lightweight, flexible prop compared to the Medical Droid built for use in Empire, and was operated by out of sight puppeteers.

The evil masters of the dungeon, droids BG-J38 and EV-9D9, were built by the London special effects teams at Elstree, mostly operated on set, out of camera view, by unseen-on-film piano wires. Producer Howard Kazanjian would recall: “There was a little person in the dustbin droid (Carol Read) moving the feet as he is rotated and being tortured. The dustbin droid was self-contained. The droid that was on levers torturing him was standing there on his own. His hands were attached to the levers and his head was moved by wires. EV-9D9, our chief droid, was operated by wires and rods and sometimes you could see a rod coming out of the back of an arm or an elbow. He also had a control panel there that he was operating. It was real puppetry.”

The voice of the upside down tortured Power Droid, inserted into the movie during post production, would belong to Ben Burtt-his screams speeded up. 


Dungeon interior set, with false perspective distance background.

"Artoo, don't leave me!"


Artoo, at the mercy of a Gamorrean Guard and EV-9D9.

Behind the scenes continuity polaroid showing EV-9D9 puppet with one of the practical effects technical team?

The droid props at the Elstree practical effects workshop.

EV- 9D9 in the workshop.