Showing posts with label SAIL BARGE. Show all posts
Showing posts with label SAIL BARGE. Show all posts

Tuesday, 10 May 2022

CLASSIC IMAGE: THE END OF A CRIME LORD'S ERA


Wrecked by its own rear laser cannons, with a little help from a now freed Leia Organa at the targeting controls, Jabba the Hutt's legendary Sail Barge vehicle, now evacuated by many of the late slug's underworld criminal associates, is about to destroy itself next to the Great Pit of Carkoon. Another memorable image from Return of the Jedi, from the successful climax to the exciting battle in liberating Han Solo.

Sunday, 20 December 2020

CLASSIC IMAGE: 'SLAVE LEIA' ATTACKS!


The battle by our Classic Trilogy heroes to rescue Han Solo and escape Jabba's Sail Barge and the Pit of Carkoon continues, with the unchained Leia now making a surprise attack on an enemy deck gunner, in this great new image, recently posted to social media, from Return of the Jedi.

Sunday, 1 December 2019

CLASSIC IMAGE:A GIRL AND HER CANNON!


She may have the cause of peace at heart, but Princess Leia knows when to use the big guns when necessary. And they don't get any bigger than the rear cannon of Jabba's sail barge, during the exciting rescue action of Return of the Jedi.

Saturday, 2 November 2019

CLASSIC IMAGE: LUKE, BE A JEDI TONIGHT!


Luke Skywalker goes on the offensive against Jabba the Hutt's blaster-wielding things atop the Sail Barge, in this great specially posed publicity image taken for Return of the Jedi in Yuma, Arizona at the end of filming there in April 1982. Whilst most of the cast and crew were now en transit to the California Redwoods for Endor sequences, Mark Hamill stayed behind an extra day to get these special posed images for an on-set photographer- one of which would become very famous in merchandising. Note the partial stunt lightsaber blade handle Hamill has in this rare outtake image- the lightsaber blade would be lined up and airbrushed on later.

Thursday, 11 October 2018

BEHIND THE SCENES: BACK TO 'BLUE HARVEST'!

Image: via STAR WARS ARCHIVES site.

Near the end of their exciting and spectacular April 1982 location shoot for the short screen time but epic and complex Sail Barge battle being filmed in Yuma, Arizona, an ILM effects plate shot is about to be captured before the camera for Return of the Jedi, under its location filming secret cover name of 'Blue Harvest'.

Howard Kazanjian on the filming:
https://www.youtube.com/watch?v=IbgYrLFFn0Q&feature=youtu.be

Monday, 16 July 2018

CLASSIC ART: BREAKING THE CHAINS!



Luke's emergency action has been initiated, Jabba the Hutt's private army and slimy cohorts are distracted and in disarray. Now is the perfect time for the slave-chained Leia to strike back against the cruel gangster leader, as seen in these impressive pre-production storyboards crafted for Return of the Jedi in 1981/82, by the recently passed illustrator George Jenson. These storyboards were presented in the excellent J.W. Rinzler tome: STAR WARS: Storyboards- The Original Trilogy, published by ABRAMS a few years back.

George Jenson obituary:
https://variety.com/2018/film/awards/george-jenson-dead-dies-return-of-the-jedi-1202872967/

Thursday, 10 May 2018

CLASSIC IMAGE: TRANSLATOR OF DEATH!


On Jabba's Sail Barge, the hideous slug alien's luckless servant translator, Threepio, is the bearer of most unpleasant news to the upcoming new victims of the Sarlaac Pit, in a great photo from Return of the Jedi.

Wednesday, 4 October 2017

ILM CLASSIC IMAGE: CAPTURED JOURNEY!


Trapped with the repulsive Jabba the Hutt on his luxury sail barge, the chained Leia Organa looks out towards her equally captured friends on an accompanying skiff, all heading to the loathsome Great Pit of Carkoon. Surely things have never looked more grim for our heroes, as seen in this great ILM storyboard for Return of the Jedi.

Monday, 5 September 2016

BEHIND THE SCENES: CAMERA COVERAGE!


With David Tomblin commanding the bullhorn speaker, and Richard Marquand heading up the various cameras, action is ready to roll on another section of RETURN OF THE JEDI's intense Sail Barge battle in Yuma, Arizona, during April 1982.

Monday, 14 March 2016

BEHIND THE SCENES: BATTLE-READY HAMILL!


On the Sail Barge set in Yuma, Mark Hamill, holding his lightsaber, prepares to film another moment in the well-planned battle over the Sarlaac Pit, during April 1982, for RETURN OF THE JEDI.

Monday, 5 October 2015

BEHIND THE SCENES: A SWINGING REUNION!


Carrie Fisher and Mark Hamill have some fun in this great outtake posing for photographer Ralph Nelson, Jr. whilst getting ready to shoot one of RETURN OF THE JEDI's most memorable and widely used publicity images, taken atop the Sail Barge set/platform of Yuma, Arizona, from April 1982.

Wednesday, 26 August 2015

CLASSIC IMAGE: SLUG REPELLANT!


She's come to the end of her slave tether, literally, as Princess Leia fights back against the repulsive Jabba the Hutt, determined to (Force-fully) end his cruel reign as Tatooine's most evil gangster. A great image from RETURN OF THE JEDI, originally sent to KENNER back in the day as photo reference for their upcoming toy line.

Image: MADAME TUSSAUDS.

Don't forget, if you're in London, travel to MADAME TUSSAUDS and see the superb recreation of Jabba and Leia forming an intrinsic part of their excellent STAR WARS EXPERIENCE.

Madame Tussauds London - Star Wars
FACEBOOK: Madame Tussauds London


Thursday, 25 June 2015

CLASSIC IMAGE: A DROID IN CHAOS!


Our favourite golden protocol droid is not having a good day on Jabba's Sail Barge. All hell has broken loose amongst the vessel's incumbent scum and villainy whilst Luke Skywalker initiates his daring escape plan, resulting in that pesky beast Salacious Crumb trying to get some payback on Threepio by tearing out his eye socket!

An intriguing image showing the fine detail of the Hutt mural background behind Threepio, barely seen in the film until the 2011 Blu-ray.

Friday, 31 October 2014

HAPPY HALLOWEEN!


Its time for ghouls, ghosties and all creatures of the night -whether they be in this universe or the STAR WARS one- to come out to play and par-ty!

(5) HALLOWEEN-STAR WARS STYLE!

STAR WARS AFICIONADO wishes its worldwide readers a HAPPY HALLOWEEN!


Monday, 8 September 2014

BEHIND THE SCENES: JUST ANOTHER DAY AT THE SKIFF!



Mark Hamill and Peter Mayhew watch as Harrison Ford gets to have a sunbathe whilst conferring with director Richard Marquand. Meanwhile, the alien baddies on Jabba's execution skiff are tended to or get ready for filming. A great image that recently surfaced in J.W. Rinzler's excellent book THE MAKING OF RETURN OF THE JEDI, published by AURUM PRESS.

Meeting the very cool stuntman/actor Julius LeFlore, who played one of the Weequays (seen in this picture turning to face a costume/wardrobe assistant) at the London Film and Comic Con of 12th July 2014, Ian Trussler gathered some more behind the scenes info on the classic sequence. Le Flore confirmed the following stunt actors that appeared on the "Hero" skiff. Beyond the principles, these guards were: Peter Diamond as the Weequay who pushes Luke, Julius LeFlore - other Weequay, Dickey Beer - most fans refer to him as Barada, but actually it's Kithaba, as Barada is on the villain skiff, Paul Weston - Nikto, and Larry Holt - the masked human looking guard. Ian also cleared up the whole "who dived head first into the pit" filming mystery, which proved an interesting story. Apparently, Peter Diamond did NOT do any head-first dives into the pit- only LeFlore did those due to some problems that arose between the British and American stunt coordinators, arising from numerous injuries in the action sequences around the Sarlaac Pit. Le Flore did so on request from Glenn Randall, who directly asked him to do the dives. LeFlore was also the one who landed on Weston's leg, accidentally breaking it. 

Cheers for the info, Ian. LeFlore gave me (Scott Weller) similar BTS details when I also met him at the event, additionally telling me that he worked at ILM for around a month on JEDI's blue screen shooting, playing a Biker Scout. A really nice, laid back guy, LeFlore, in his first major event signing, was disappointed that he didn't get to see any Ewok actors at the LFCC, saying humorously that he had some "history" with them!

Monday, 2 September 2013

ROTJ AT 30: A HISTORY OF (STAR WARS) VIOLENCE


Dinner time for the Sarlaac!

As anybody who loves behind the scenes stuff on the STAR WARS saga knows, when planning the final film of the original trilogy, George Lucas was determined to make RETURN OF THE JEDI even bigger in scope and adventure than anything previously attempted in the saga. Bigger meant a more spectacular space battle, bigger meant a huge array of alien creatures within the throne room of Jabba the Hutt and bigger meant…well big in everything! Obviously, one of the stand-out moments of the film has to be the Sail Barge action sequence. Alongside one of the biggest standing set props ever created for location filming -something that could just never be attempted again for pure cost reasons- the sequence also boasts, for the STAR WARS Classic Trilogy at least, the largest collection of British and American stunt artists ever assembled portraying various intergalactic thugs, as Luke Skywalker finally comes into his own as a Jedi Knight and, against tremendous odds of villainy, begins the rescue of his friends in one of the film’s greatest crowd pleasing moments. The sequence was choreographed and co-ordinated by the filmmakers (Lucas, Richard Marquand, Robert Watts, Jim Bloom and Howard Kazanjian) in co-ordination with British Stuntman (listed at Stunt Arranger for JEDI) Peter Diamond (who had worked as Stunt co-ordinator on the first two movies) and STAR WARS newcomer Glenn Randall (whose work on RAIDERS OF THE LOST ARK two years previously had more than spoke for itself when he was hired, and someone who worked well with Harrison Ford). Alongside their team, the two stunt experts would also take on a variety of stunt roles in the film, as did the other brave souls jumping in and out of the two skiff transports and into the Sarlaac pit built at Yuma, Arizona for shooting during April 1982 (a sequence filmed that was not only dangerous on screen but dangerous if you fell into it from the wrong direction and weren’t able to manoeuvre your body the correct way as you descended).
The classic image of our captured heroes on the skiff.

Over the years it has been debated which UK and US stunt men have played what aliens, and for what part of the sequences, during the US filming of the Tatooine action, with some artists doing double duties on the action, not only for the Sail Barge scenes in Yuma but also for the later in the month filmed Endor sequences in the Californian Redwoods (where they would play both Rebel and Imperials). When putting together the 25th Anniversary JEDI issue of AFICIONADO in 2008 we ambitiously tried to piece together who played who and when in what parts of the action sequences, all of which were filmed and edited in and out of order, especially for the ambitious Sail Barge scenes- in doing so, we were able to find out from a variety of sources, talking to both stuntmen, background artists and reputable fan sources, a lot of new compiled info, which we’ve checked for accuracy as best we can, and of which we now have the ability to correct certain errors or myths about which stuntmen/background artists took part in the shooting that have built up over the years. In particular, we finally put to bed the information presented over the years that Jeremy Bulloch played Boba Fett on location at Yuma. He didn’t-all of his filming was studio bound, done within eight days over a three to four week period at the beginning of 1982, at ELSTREE on the Jabba’s Palace stage. Simply put, as Fett’s scenes on location were all stunt work, it would not have made practical, or budgetary, sense to send the actor out to Yuma when all of his work would have been handled by a stunt man. 


Glenn Randall gets suited up to play Boba.

In this instance, Fett was doubled by at least three stunt men, one of which was Glenn Randall (location filming footage of him exists, wearing almost Elvis-like sideburns!, getting ready in costume to film his scenes) and Dickey Beer. Additionally, some of the UK people who have always been associated with the US filming did not necessarily go out there, and in some cases some official production info has been wrong-for instance, extra/stuntman Malcolm Weaver is supposed to have been in the US filming but when we personally asked him if he went and who he played he said he never made it to the US filming for reasons that weren’t totally clear. Over the years there has also been mis-information or inaccuracy about the role/s Peter Diamond played in the Sail Barge-we had heard he played the first Weequay (not necessarily the one with the vibro-axe) to go into the pit (as is shown in a clip from JEDI in the EMPIRE OF DREAMS 2004 documentary) but we have since also discovered, from a fan conversation with the late great action talent at CELEBRATION 2, that he also played a human guard (wearing a black veil) on the skiff at one point, as he and other stuntmen, depending on the filming schedule, took turns to play the alien parts. The scene still photos taken on location of the veiled human from the heroes skiff are hard to see close-up but we don’t think they are of Diamond as that character there, and that they show another stunt actor and not the recognizable features of Diamond (so again, this must have been a situation where Diamond and the other stuntman alternated on playing the part on different days, with the latter photographed on the day the location shots were done-the only way to be sure is to look at test costume reference stills of that character shot in April 1983 and, as of this time, I haven’t seen any released by LUCASFILM).

Luke fights a Klaatu (either played by Corey Dee Williams or a stuntman).

Additionally, resident UK stuntman (and veteran of many JAMES BOND films) Dickey Beer revealed a few years back that, when the stuntmen got to Yuma to start rehearsals, the first day a number of them got hurt. The people who didn't get hurt had to wear more costumes and perform more stunts than what was originally planned (Even Billy Dee Williams son, Corey, would don his father's costume after Pa got hurt on set, as well as play a top deck Klaatu). Dickey was the stunt double for Luke Skywalker for part of the skiff fight (Colin Skeaping, the main Mark Hamill Stunt Double, having twisted his ankle at rehearsals) in addition to Barada and a Gamorrean Guard on the sail barge (and later a Rebel Commando, Stormtrooper, and a Biker scout at the Redwoods part of the shooting).
Returning to Fett, Beer joined Glenn Randall in Stunt Double work for the Bounty Hunter in Yuma (Glenn, being the USA location Stunt Coordinator, particularly wanting him to do some of the stunts), with Beer doing the scene of Boba flying from the skiff into the barge. When Boba Fett crashes into the barge and falls into the Sarlacc, and a view of the other shots, that’s also Dickey. Outside of the location filming, another stuntman, Bob Yerkes, played Fett for a last-minute shot added on in late post production editing.
Intriguing behind the scenes angle of the skiff fight.

So, at the end of the day, we’ve done our best to present the available behind the scenes information on the Sail Barge shoot as accurately and fact checked as we can within the pages of our MAKING OF RETURN OF THE JEDI special issue. Are there still gaps, corrections and more amazing things to be discovered even now, after twenty five, now thirty, years-yes, I’m sure there are, and where we can get the information we’ll continue to present it as fairly and correctly as we can. Where there has been evidence that may contradict certain pieces of information then we’ll continue to present those as well for completist, as well as debatist’s, sake. If, however, there has been any information that cannot be confirmed at all, then we always opt to leave it out until such time/opportunity comes for us to go back and address it with the full facts. And if you feel we’ve missed anything important out (well, you never know!), then all of you guys and gals out there PLEASE GET IN TOUCH and let us know-we’d love to hear from you!


Corey Dee William talks about his JEDI filming: Interview With Corey Dee Williams, a.k.a. son of Lando Calrissian, a.k.a. Klaatu In Star Wars: Return Of The Jedi | blastzoneonline

With thanks to Chris Baker for his help in the writing of this blog.

For more information on the entire amazing shooting process at both Yuma and the Redwoods, check out the special issue of STAR WARS AFICIONADO dedicated to THE MAKING OF RETURN OF THE JEDI. Get hold of it here: STAR WARS AFICIONADO ISSUE 14 - THE MAKING OF "RETURN OF THE JEDI"

Wednesday, 28 August 2013

ROTJ AT 30: A 'CONVENIENT' WAY TO DIE...


Han and Chewie might be miserable at their upcoming feeding to the Sarlaac Pit, on this dust ball of Tatooine, but Jedi Knight Luke Skywalker is not quite so doom-laden. His alternate plan of battle and escape from Jabba the Hutt is moving towards end game now, and he has several aces still up his sleeve-including the disguised Lando Calrissian on the skiff with them.

A lovely piece by stellar STAR WARS artist Chris Trevas from RETURN OF THE JEDI, via the kind people at the RETRO STAR WARS and STAR WARS ARCHIVES FACEBOOK pages.


Saturday, 20 July 2013

ROTJ AT 30: A MAN AND HIS SAIL BARGE!


On location in Yuma, Arizona in April 1982, Production Designer Norman Reynolds stands proud in front of the immense Sail Barge outdoor set, in a reference image for RETURN OF THE JEDI sent to KENNER TOYS.




Friday, 21 June 2013

ROTJ AT 30: A DROID TO THE RESCUE!


Ready for action on the top deck of Jabba's Sail Barge, trusty Astro Droid R2-D2 shoots out the lightsaber contained in his head dome towards a waiting Luke Skyalker on the nearby execution skiff, in an audience rousing scene from RETURN OF THE JEDI. In reality of filming at Yuma, Arizona in 1982, the classic moment took a couple of takes for the practical effects to work successfully.

For more on the making of the classic action sequence, prior to the release of J.W. Rinzler's book later in the year, why not get hold of our detailed 2008 behind the scenes special on PDF:
STAR WARS AFICIONADO ISSUE 14 - THE MAKING OF "RETURN OF THE JEDI"





Sunday, 26 May 2013

ROTJ AT 30: ALAN HUME REMEMBERED (2010 BLOG)



The sad news has come through from the film website CINEMA RETRO that legendary cinematographer Alan Hume has died. He was 85.
Hume was a most in demand and highly skilled talent in the film industry before his eventual retirement, and had many worldwide classic pictures, and several TV series (including the Linda Thorson/Patrick Macnee era of the colourful classic THE AVENGERS series), under his career belt. Of particular interest to STAR WARS fans would be the intriguing cinematic flavour he brought to RETURN OF THE JEDI for fellow Brit director, Richard Marquand (Hume was a regular member of Marquand’s movie making team (alongside film editor Sean Barton), both of whom had previously impressed Lucas).
Whereas the recent Prequel Trilogy all had the same kind of unified overall cinematic and directorial style (from George Lucas and David Tattersall), the nice thing about the Classic Trilogy of STAR WARS is seeing how each movie has its own unique distinctive look and flavour that sets each one apart from the other. Gilbert Taylor’s cinematography for STAR WARS is pin sharp and distinctive, Peter Suschitzky’s for EMPIRE has a very glossy and elegant style befitting the first sequel, whilst Alan Hume’s contribution to RETURN OF THE JEDI, though interestingly controversial with fans over the years, would add lots of atmosphere, gritty dark browns, blacks and blues to the films quasi-mixture look of light and dark, especially to the interior of Jabba the Hutt’s Palace and the Emperor’s Throne Room chamber on the Death Star II, where the important drama played out between Palpatine, Luke and Vader is at its most intense and dangerous.
Hume (right) with director Richard Marquand (left) on the Sail Barge set at Yuma. Image: via STAR WARS ARCHIVES website.

Beyond JEDI (which seemed to have been a bit of a bumpy ride for the British talent:
Alan Hume on "Return of the Jedi" - YouTube), Hume’s other cinematography work is well worth checking out, especially his Roger Moore JAMES BOND films (1977's THE SPY WHO LOVED ME in particular, with its explosive finale inside a submarine kidnapping sea tanker), and in director Richard Marquand’s pre-JEDI movie assignment, based on Ken Follett’s novel, EYE OF THE NEEDLE, which has some beautiful outdoor location photography and captures the realism of World War II era Britain very effectively, mixed with a Hitchcock-style mood noir sheen.
Goodbye, Alan Hume, and thank you for your superb contributions to both STAR WARS and the entertainment industry. Your work will always be remembered and admired by fans for a long time to come.