CLASSIC ART: RAISING THE 'STAR WARS' BARR!

Ken Barr's classic 1978 magazine cover for the short-lived Questar magazine has now become a classic in original Star Wars art history. Here's a look at some other variations on a theme from the artist, before the final cover was green-lit and crafted so beautifully.

CLASSIC McQUARRIE: SENTINELS OF HOTH!

With their heavy weaponry and regular Tauntaun patrols, the Rebels maintain constant vigilance across the blue-tinted Hoth landscape, ready for action, in this lovely Thailand poster art from 1980 promoting The Empire Strikes Back, using the great Production Painting work of Ralph McQuarrie that helped make the film such a uniquely different entity to the original Star Wars.

It was an image that was also adapted and used in the Al Williamson and Carlos Garzon Marvel Comics adaptation of the iconic saga entry.  

GOODBYE, MARCIA LUCAS...

STAR WARS AFICIONADO was deeply saddened by the news that Marcia Lucas, one of America's finest Academy Award-winning film editors, and a vital contributor (in so many ways) to the success of the original Star Wars Trilogy, has passed away at the age of 80. She was the heart of the original Lucasfilm family and truly the 'First Lady' of the saga, whose real contributions to the films that made us all what we are have only properly come to light and been celebrated in the past ten years with her warm return to the Hollywood film community. Marcia's talent and personality will be greatly missed...

STAR WARS AFICIONADO WEBSITE: BEHIND THE SCENES: THE MARCIA LUCAS FACTOR!

Marcia's film-editing skills and storytelling instincts made her a vital asset to her husband (who called her the film's 'secret weapon') when creating/making the Star Wars saga... 

Deservedly winning an Oscar for her work on Star Wars in 1978, alongside her co-editors Richard Chew and Paul Hirsch, presented by Farrah-Fawcett Majors.

With the 50th Anniversary of the original Star Wars soon upon us, her passing is even more sad and poignant. Let us hope that her vital contributions to the film that launched a phenomenon will be officially explored and celebrated further for the future...

A sadly all-too-meagre official entry on her passing: Marcia Lucas: 1945-2026 | StarWars.com

Marcia Lucas Dead: 'Star Wars' Editor Was 80

Marcia Lucas dead: 'Star Wars' editor and former wife of George Lucas was 80

The memorable career of Marcia Lucas.

'THE HOLIDAY SPECIAL': THE BEST OF 'LIFE DAY' FRIENDS!

Humans and Wookiees have always seemed to get on well with each other, as exemplified by Chewbacca's special and enduring relationship with Han Solo, but such general closeness runs deep in the Wookiee icon's family generally, as notably seen with young Lumpy (Patty Maloney) seeking sage advice from the Kashyyyk-based human trader Saun Dann (played by respected actor Art Carney) in a memorable posed publicity image from the still-infamous The Star Wars Holiday Special, celebrating its 47th Birthday today.

AN 'EMPIRE' AT 45: INTRODUCING LANDO... KADAR?!

Super-smooth, with a smile like a supernova: introducing Billy Dee Williams as Baron Lando Calrissian, leader of Bespin's Cloud City realm. 

“He’s a very charming, cavalier, roguish character- he’s very much like Han. I think the difference between them is that Han in a pinch will use his guns and Lando will charm his way out of a situation.”

Billy Dee Williams interview - Starlog magazine - 1980

Originally starring life in George Lucas's storyline for Star Wars II as Lando Kadar, the Baron Administrator of Cloud City was originally a tougher, though charismatic, rival to Han Solo in many ways, of which respected actor Yaphet Kotto, who has just finished playing one of the lead parts in Fox’s other sci-fi hit then currently in 1978 production, Alien, is offered the role. Kotto turns Lando down, allegedly because of typecasting worries in the sci-fi genre - that it might be difficult for him to find work afterwards. 

"How ya doin' you old pirate?!" A warm greeting for Lando's old rival, Han Solo, at Cloud City.

With Lando beginning to evolve a few months later into a smoother type of character to the one previously created (soon conceived as an alternate version of what Han would be like had he not hooked up with the Rebellion), Lucas and Kershner look towards a different type of actor for the role. Billy Dee Williams, born and raised in New York City, where he studied at the Actors Workshop under the tutelage of Paul Mann (before receiving a scholarship to the National Academy of Fine Arts and Design, where he won many awards, including the Hallgarten award for painting - an interest which he continues with to this day, alongside his acting), is soon right at the top of Irvin Kershner’s thoughts to play the new Lando (the actor having also been considered at one point to play Han Solo back in George Lucas’s 1975’s screen tests - the young Lucas prior impressed with his performance alongside Diana Ross in Lady Sings the Blues), seeing so many of Calrissian’s charming, adventurous traits in the actor. Visiting Williams at his US home, Kershner, after several hours discussing numerous topics (including European-Western philosophy) tells Billy Dee about the role and offers it to him, without the need for a screen test. Instantly falling in love with the name Lando Calrissian (a surname which is actually of American origin), and liking his character description, Williams accepts the role and will soon be on his way to London for costume tests and filming (though given an incomplete script at that time) by April 1979.

Interviewed in the Star Wars Office at Elstree Studios by French cameraman/interviewer Michel Parbot, for documentary/publicity footage. 

The first officially released photo of Billy Dee Williams as Lando, from the first teaser trailer for TESB. Image composition: Chris Baker.

Early costume concept for Lando Kadar by Ralph McQuarrie, back when Yaphet Kotto was originally being considered for the role in 1978.

Various early costume designs by John Mollo, as showcased by Star Wars Insider magazine back in 2020.

The striking TESB posed cover for Williams' acclaimed autobiography from a few years ago.

AN 'EMPIRE' AT 45: THE GALACTIC EMU'S!

Looking like alien version of an Emu crossed with a camels, Joe Johnston's classic conception of the Tauntaun snow beast certainly made an impression back in 1977, a fascinating year that featured an incredible array of intriguing all-new potential designs from both Johnston and Ralph McQuarrie for a myriad of new characters, aliens, hardware and environs for what was at first known as Star Wars II, before becoming The Empire Strikes Back.

AN 'EMPIRE' AT 45: FROM BESPIN WITH LOVE...

A wondrous city in the clouds provides a time for unique safety and refuge from the Imperials for Princess Leia Organa, who is given a unique outdoor tour by Baron Lando Kadar in this great conceptual painting by Ralph McQuarrie. Even from this painting we get the impression that Lando is certainly 'the old smoothie' referenced by Han Solo.

McQuarrie enjoyed working on the conceptual side of The Empire Strikes Back as much as he did on the original Star Wars, especially in developing the look and style of the Cloud City realm.

Michael Pangrazio's 1979 concept for an unused matte painting.

CLASSIC ART: 'STAR WARS' BEGINS...

The classic Hildebrandt Brothers poster that debuted in the UK at the end of 1977/early 1978.

As a rare and pristine condition British release print of the original 1977 version of Star Wars makes for a special screening (originally housed by Rank back in 1979, and later donated), for the first time in decades in the UK, launching this year's BFI Film on Film festival in London (12th to 15th June, 2025), here's a look back to that time when George Lucas's (at first one-off) film launched across the world in 1977 and 1978, promoted via these gorgeous adventure-fuelled posters that soon captured our hearts, minds and imaginations like never before...

Early US teaser poster with the original SW logo before the 'W' was changed.

US teaser poster.

American release poster.

Tom Jung's early poster, at first primarily used for the US, then appearing in various merchandising.

Tom Jung's version of the Hildebrandt original.

Some international posters mixed the Tom Jung art with the Hildebrandts.

Three Japanese posters from 1977/78.

Photo montage mixed with the Hildebrandt art.

Other Japanese rarities.

Italian art my Michelangelo Papuzza.

The 'Dirty Dozen' poster art for the UK and US from 1978, by Tom Chantrell.

Australian 'Daybill' poster. 

Hong Kong release poster - 1978.

BEHIND THE SCENES: THE MARCIA LUCAS FACTOR!

 

George Lucas, needing morale support, with then wife Marcia, perched against a Djerba beast background player. An image taken during the final days of Tunisian location filming for Star Wars in early April, 1976.

Behind every great man, there has to be a great woman, as the song goes, and back in 1976 as writer/creator George Lucas developed, and filmed the original, difficult to make Star Wars he had the thankful support and backing of his wife Marcia Lucas during many affecting times, herself a much in-demand and trusted filmmaking talent within the world of editing, and known for her strong creative instincts and individual flair. She was and is a gregarious person who recognised peoples' talents and knew how to bring them out to the benefit of everyone, especially in Hollywood circles, where she was much admired by the likes of director friends including Martin Scorsese and Brian De Palma, who'd use her editing talents/opinions for their own groundbreaking projects. Both George and Marcia would prove to be a popular couple during the period they were together, whose chalk and cheese natures seemed to blend perfectly in the early to mid seventies era of innovative and unforgettable movie production. Marcia would also be a key voice in editing and helping George lock in the 'spirit' of his hit comedy, American Graffiti.

Marcia Lucas's Star Wars-related postcard from Tunisia to Lucy Autrey and the Parkway team in 1976.

Though not originally to have been part of the film's editing (instead to have acted as a consultant), during Star Wars 1975-1976 pre-production she favoured the casting of Hamill, Ford, and Fisher, was key to the development of the Force in the movie's original script, which she found fascinating (even writing some of the extra dialogue needed during Kenobi and Vader's duel), helped her husband realise that Kenobi's death was indeed vital to keep the film's drama in the final script (and not leave a great actor like Sir Alec Guinness with nothing important to do), whilst in her own editing high ground, she brought in the idea of 'wipes' transitions for scenes (used effectively for TV commercials at that time). 

Designing both the Lucasfilm Ltd  and ILM logos. Marcia travelled to Tunisia and was regularly at London's Elstree Studios. It was alongside her husband looking at the film's dailies that they knew that the assigned UK editor John Jympson wasn't picking the right take prints to be used in the editing process before his role in the film was terminated in July 1976. Ever gregarious, she regularly had dinner with the film's main cast, especially Sir Alec Guinness, whom she often found scandalous and funny away from the set (George sadly never attended the dinners). She was greatly impressed with Carrie Fisher (loving her spontaneous, clever wit) and Harrison Ford, who looked every inch the 'soldier of fortune' to her. It was Marcia, alongside US casting advisor Fred Roos, who championed Luke Skywalker to be played by Mark Hamill.

When a desperate-for-help Lucas needed Marcia's editing skills and keen eye for character after the replacement of Jymoson (whom Marcia felt used too broader takes of actors performances that did not bring a sense of reality to the piece and felt too humorous), she was key to making the final Death Star space battle as tight and exciting as possible in what became a monumental task (generating the idea and tension of the Death Star preparing to fire at the Rebel Base, alongside fellow editor Paul Hirsch's contribution - an edge-of-your-seat countdown to the finale), of which ILM needed the assembled footage as quickly as possible for ongoing model filming. She also fought Brian De Palma's wanting George to remove the concept of the Force from the film, which she was adamant should stay (De Palma may even have had his friend Paul Hirsch remove some of its references in Post Production, most of which were then re-instated by a determined Marcia). Beyond getting the hilarious moniker of 'The Queen of Death' in killing off characters across the Star Wars saga during editing, Marcia also recognised the value of small unique moments of humour, like the Mouse Robot sequence showcasing Chewbacca, which was almost entirely excised from the film before she put her foot down.

Visiting the Death Star hangar bay set at Elstree circa May/June 1976, Mark Hamill demonstrates his then ongoing toe infection to Marcia and colleague. Image: Robert Watts.

Cast and crew gather at the Elstree Studios bar/restaurant. Image: Robert Watts.

Fondly known by the 1977 Lucasfilm team as 'the heart' of its expanding family, and recognised as 'the smartest pair of hands in the galaxy', Marcia was sadly not able to work on the editing for The Empire Strikes Back (part of a sequel series that she had no idea George Lucas had any plans for beyond what was thought to be the one-off 1977 film) due to other commitments (though she clearly saw and/or gave opinions during the film's post production process, and visited the London Elstree Studios filming at least once in mid 1979, alongside her then husband) and to also start looking after her and George's adopted baby, though she was able to come back to help her again desperate husband for a short period on Return of the Jedi's end of Post Production period, despite having now retired from the editing field, when it's original cut (crafted by director Richard Marquand and his own specially chosen editor Sean Barton) needed a major creative boost in key dramatic areas, especially linked to Mark Hamill's scenes as Luke Skywalker, and his eventual destiny as a Jedi, plus the vital moment when Vader transitions back to Anakin Skywalker and defeats the Emperor. Marcia would further be a part in reshaping the film's already edited Sail Barge battle, so as to bring viewing clarity.

Earlier this year, Marcia Lucas was a key contributor to a documentary series linked to the making of the Original Trilogy, which aired on Vice TV (July 12th): 

Vice TV-Nacelle ‘Star Wars’ Series Lands 1st TV Interview With Lucas’ Ex-Wife – Deadline

Filming at the top of the Sidi Driss hotel in Tunisia with Mark Hamill looking down into the sinkhole, and watched by the crew (including Marcia Lucas, centre, with Gary Kurtz). Image: the Ben Ageros Collection.

Visiting the location specifically to bolster her husband's low spirits with the problematic start of filming Star Wars, Marcia watches George direct a Landspeeder motion sequence.

 Marcia, at bottom left of image with Gil Taylor, and Meredith Kurtz, as the crew (including George Lucas, Anthony Waye and Ann Skinner), from a small scaffold, film the Landspeeder entrance into Mos Eisley at Djerba, Tunisia, at the end of March, 1976.

Conferring with, and enjoying the company of, Garrick Hagon and Mark Hamill, watched by George, on the last day of location principal photography at the Djerba fishing village, Tunisia- April, 1976.

Both Marcia and George had a natural passion for the craft of film making and editing and were much respected for their successes in the 1970's.

A proud Oscar winning Marcia with her husband at the 1978 Academy Awards, enjoying the success of the original Star Wars.

With fellow Star Wars editors Richard Chew and Paul Hirsch, with the iconic Farrah-Fawcett at the 1978 Oscars.

Going through some footage of The Empire Strikes Back in late 1979, alongside respected director Irvin Kershner.

Marcia hated the original script created for Revenge of the Jedi, which featured two Death Stars (as seen in this Ralph McQuarrie painting. Soon enough, George dropped the idea and brought Lawrence Kasdan back to the fold to help him draft a better story.

As seen in a recent Star Wars related six-part 2023 documentary on the US Vice TV channel: Icons Unearthed.

https://www.indiewire.com/2021/09/star-wars-editor-slams-disney-films-jj-abrams-1234666134/?fbclid=IwAR14fJW4wZuyQHxak_GpAa7a81Ce3NuXArGI2vG0-a6p-wTzjs4XQB3bDS8