Showing posts with label ARCHIE GOODWIN. Show all posts
Showing posts with label ARCHIE GOODWIN. Show all posts

Saturday, 14 March 2015

AN 'EMPIRE' AT 35: REMEMBERING 'DEATH PROBE'


Continuing the air of darkness and violence so prevalent during events of THE EMPIRE STRIKES BACK, MARVELS's first all-new original adventure from the sterling team of writer Archie Goodwin and artist Carmine Infantino, after the series previous acclaimed six-issue adaptation, sees Luke Skywalker, trapped on a derelict Rebel cruiser alongside buddy Artoo Detoo, using all of his skills as a pilot and a Jedi-to-be against an augmented and heavily armed Probe Droid that's under remote control from a glory-seeking Imperial commenader. Can Luke stop the droid before it discovers his identity, and locks onto the path of the incoming, on-the-run Rebel fleet?

Death Probe is a great first adventure launching the new series- the idea of using the Probe Droid as a combatant is one of the best seen in what was once the early days of the Expanded STAR WARS universe, and its artistically brought to striking life (check out the opening spread of the Probe Droid smashing into the cruiser's hull and blasting away at its Rebel prey- truly impactful)- a fine way to tell the comic reading audience that the encapsulating post EMPIRE storytelling/timeline has begun with a bang. As a solo story for Luke its equally important: seeing him testing his abilities after the mental and physical scars he received from duelling Darth Vader. Here, as his predicament worsens, he also uses the Force in a new way: controlling his breathing in order to make it look as if he's barely alive to the Probe Droid's sensor readings, and gets to wield his lightsaber (still being mis-spelled "Lightsabre"), presumably written and pencilled before the EMPIRE adaptation had been fully completed and it was known that Luke would ultimately lose the civilised weapon at Bespin.

Sunday, 12 October 2014

CLASSIC ART: COMETH THE DARK LORD!

Art by Carmine Infantino, inks by Bob Wiacek.

He'd been much missed after the acclaimed six-part film adaptation had been concluded, but everyone's favourite black-suited baddie, Darth Vader, would eventually return in top villainous form to the STAR WARS universe of MARVEL COMICS for the exciting conclusion to Archie Goodwin and Carmine Infantino's Space Wheel storyline.

The new MARVEL range launching in January looks set to continue the classic traditions, with ambitious storylines exploring our heroes and villains even more closely:

SDCC 2014: Inside Marvel's New Star Wars Comics - Exclusive | StarWars.com
Star Wars #1 Variant Cover By Joe Quesada - First Look! | StarWars.com

And Darth Vader will also be making a welcome reappearance in a new, specially created scene set to be included within the ABC TV US screening of STAR WARS REBELS opening episode, this October 26th, 2014 (7pm). Here's hoping the UK gets it, too! Star Wars Rebels: Spark of Rebellion With Darth Vader Coming to ABC | StarWars.com

Saturday, 20 April 2013

CLASSIC BLOG: AL WILLIAMSON - A COMIC LEGEND JOINS THE FORCE...

Classic Al Williamson art for the LOS ANGELES TIMES SYNDICATE STAR WARS strip from 1980.

A remembrance from June 12th 2010...


Sad news indeed this week-a legendary comic artist has gone. A superb visualist who was both an icon and friend to many of the artists that followed in his wake, Williamson will be a much missed figure in the ever expanding comic illustration universe.
I loved, and still love, his superb art for the 1980 comic book adaptation of THE EMPIRE STRIKES BACK-one of the greatest adaptations ever realized in a comic book world and genre now choc a block with pretty average film conversion art work- and which, thirty years on, still shines greatly (I’ll never forget seeing the original US MARVEL comics and salivating over his work in full colour, and being thoroughly blown away by it, after originally seeing it reproduced in black and white only in the UK’s THE EMPIRE STRIKES BACK WEEKLY comic), as does his 1983 work, despite many pressures and a script that was still top-secret, for the MARVEL RETURN OF THE JEDI mini-series. And let’s not forget his lovely inking of THE PHANTOM MENACE adaptation in 1999, either. With his drawing experiences of all kinds of heroes-from FLASH GORDON to SECRET AGENT X-1-both Williamson and regular MARVEL/LOS ANGELES TIMES NEWSPAPER STAR WARS writer Archie Goodwin were a superb combination- and great selectees made by LUCASFILM- to bring STAR WARS into the 1980’s comic universe. (Oh, and don’t forget the Goodwin/Williamson MARVEL version of Harrison Ford’s BLADE RUNNER, too!)
Wherever there are people who enjoy reading comic books and loving comic book art-of seeing and thrilling to tales of heroes, villains, beautiful princesses and worlds beyond imagination, their work, including STAR WARS, will live forever...

Thursday, 26 April 2012

CLASSIC ART: DEADLY ENTERPRISE


Promises of a future partnership to come are hinted at by writer Archie Goodwin and artist Al Williamson in one of the Classic STAR WARS newspaper strips for the Los Angeles Time Syndicate, from the early eighties story Showdown, which also features guest appearances from several other ESB bounty hunters, too, and is set on Ord Mantell.

Wednesday, 25 January 2012

STAR WARS AT 35: THE LOST "STAR WARS" STRIP ADAPTATION

Back to the beginning for Al Williamson's never completed STAR WARS adaptation.

Before he and iconic comics writer Archie Goodwin fully collaborated on the LOS ANGELES TIMES SYNDICATE STAR WARS newspaper strips set between STAR WARS and EMPIRE, and then later between EMPIRE and JEDI, the late, great artist Al Williamson had worked with his scribe compatriot on some B/W test strips for a 1978 adaptation of the original STAR WARS, their involvement in the saga specially requested by George Lucas, who particularly loved the duo's prior work over the years. Sadly, due to other more pressing project commitments by Williamson, a full strip adaptation was never completed or officially released, but in his 1983 Art of Al Williamson book a few examples of this great work did eventually see the light of day (of which two weeks worth of art had been completed before the project died).

As far as I'm aware, DARK HORSE comics never published this material when they did their popular publishing strand of the LATS material, so here's hoping that someone showcases this great art at some point in the not too distant future...

For more on Al Williamson's superb work, in both STAR WARS and comics mediums in general, check out this great Blog feature: FRED EGG COMICS

Al Williamson's unpublished original strip illustration examples on the STAR WARS production office wall at the Uk's Elstree Studios in Summer 1979: STAR WARS AFICIONADO MAGAZINE: MICHEL PARBOT