Showing posts with label 1996. Show all posts
Showing posts with label 1996. Show all posts

Friday, 1 December 2023

CLASSIC IMAGE: RE-INVENTING A CLASSIC!


The classic scene that set the standard for future science fiction/fantasy storytelling and blew audiences away worldwide with its truly epic special effects work- the opening to the original 1977 Star Wars involving an Imperial Star Destroyer chasing the Rebel Blockade Runner above Tatooine.

But it's not. Instead, this is an equally impressive moment from the sequence specially re-shot from scratch (using a more-detailed meter long Star Destroyer model from The Empire Strikes Back) for the equally incredible and ground-breaking IMAX screen format, as part of legendary sound designer Ben Burtt's pleasing 1996 documentary Special Effects: Anything Can Happen, shown exclusively in IMAX and OMNI MAX cinemas in the US and Canada.

https://www.youtube.com/watch?v=qQjY7ZDWFNo




Friday, 24 February 2023

CELEBRATING 45 YEARS OF 'SPLINTER OF THE MIND'S EYE'!


Forced to land on the swamp world of Mimban, our young heroes Luke Skywalker and Princess Leia Organa must face the wrath of the pursuant Darth Vader, and unlock the mystery and power of a legendary Kaiburr Crystal, in Alan Dean Foster's seminal story, officially conceived with George Lucas, set after the events of the original Star Wars, Splinter of the Mind's Eye.

Lovely Dark Horse comic adaptation art by Chris Sprouse, and a perfect image to celebrate the original Del Rey hardback's 45th Anniversary this month, the adventure that launched the Expanded Universe fiction range into everything its become now...


Sunday, 18 December 2022

CLASSIC ART: DARKNESS FALLS, AS AN 'HEIR TO THE EMPIRE' IS REVEALED...


Deservedly acclaimed sci-fi novelist Timothy Zahn's epic relaunch of the Star Wars saga post ROTJ with The Thrawn Trilogy back from 1991 onwards hasn't diminished either in its imaginative and thrilling storytelling power or via its enduring fan popularity. The thrilling tale of the Empire's fight back, led by iconic alien tactician Grand Admiral Thrawn, certainly made for a great transfer to comic book series adaptation, from Dark Horse, back in 1996. Here's one of the great cover spreads for the Heir to the Empire compilation, featuring stunning art by Mathieu Lauffay.

Lucasfilm, isn't it about time that The Thrawn Trilogy was finally made into a (non-canon if necessary) animated mini-series for Disney+? In general, what is stopping the two companies from making the kind of exciting animated adventures for the Classic Trilogy era that we all want to see? Or is the upcoming Ahsoka series, with our main hero's search for Grand Admiral Thrawn, planning some kind of alternate live-action version of Heir?

Thursday, 17 October 2019

THE 'PHANTOM' AT TWENTY: ANAKIN BLASTS OUT!


With power to his starfighter quickly restored, Anakin escapes the Trade Federation Droid Control Ship, but not without first letting out two proton torpedoes that do heavy damage to the main reactor and soon sets off a chain reaction, as seen in two pivotal ILM storyboards shown here.

This would be a scene from Lucas deliberately echoing, or rhyming with, Luke Skywalker's later destruction of the Death Star space station with his proton torpedoes in EPISODE IV.



Sunday, 6 October 2019

THE 'PHANTOM' AT TWENTY: NABOO'S AIRBORNE HEROES!


The gritty, used X-wing fighters may not be a part of this phase in Star Wars history yet with the prequels, but the slick and gleaming chrome, Art Deco-esque Naboo fighters are a step in the right direction, as seen in this great production art by Doug Chiang, zooming skyward into battle.

Wednesday, 2 October 2019

THE 'PHANTOM' AT TWENTY: OUT FROM THE SWAMPS!


With the Naboo human's own plans prepared - the Queen and her forces will take their Throne Room back and capture the Trade Federation viceroy whilst pilots begin a disruptive space attack, the Gungans begin their own diversionary battle, luring the enemy forces out en masse to the plains, their many brave warriors and shield generator strapped beasts of burden leaving the swamps, as captured in this great production art by Doug Chiang.

Two unused animatics of 'Bombad General' Jar Jar leading the forces out from the swamp.


"With EPISODE I, it was the first time I was able to use computerized animatics to previsualize the entire film before I started shooting."

George Lucas - 1999

Atmospheric shot also importantly used in the first teaser trailer for EPISODE I.

The massed Gungan forces in a spectacular CGI shot.


Monday, 23 September 2019

THE 'PHANTOM' AT TWENTY: ARRIVED AT A MORE CIVILISED REALM!


Entering the busy and vibrant atmosphere of Coruscant, the Naboo Cruiser now touches down on one of the many sky platforms littered across the vast and unending city landscape, in this great 1996/7 Production Art by Doug Chiang that clearly has a lot of visual tribute referencing to the comic imaginings of Flash Gordon, and, most importantly, Fritz Lang's landmark 1927 sci-fi epic, Metropolis. The imagery would also build on earlier designs/ideas conceived by Ralph McQuarrie for Imperial City back during 1981 conceptual work for Return of the Jedi.

"I opted for a sleek, modern vision, incorporating more steel, glass, and weird plastic materials. The forms also became a little cleaner and more streamlined."

Doug Chiang - The Making of EPISODE I book - 1999

Sunday, 25 August 2019

THE 'PHANTOM' AT TWENTY: HARD TIMES!


A day in the life of the Skywalker family - adapting and surviving the diverse environment of the busy Mos Espa, and showing us the slave quarters area in which they will modestly live - is well captured in this great concept/production art by ILM talent Terryl Whitlatch. This was a memorable EPISODE I related image deservedly showcased in the world-touring Star Wars Identities exhibition.

"It (Anakin's birth) was a virgin birth in an ecosystem of symbiotic relationships. It means that, between the Force, which is sort of a life force, and reality, the connectors between these two things are what we call Mitichlorians. They're kind of based on Mitichondria, which are a completely different species, a different animal, that is inside every single cell and allow it to live, allow it to reproduce, allow life to exist. They also, in their own way, communicate with the Force itself. The more you have, the more your cells are able to speak intuitively to the Force itself and use the powers of the Force. Ultimately, I would say the Force itself created Anakin. I don't want to get into specific terms of labelling things to make it one religion or another, but, basically, that's one of the foundation's of the hero's journey."

George Lucas - Vanity Fair magazine - February 2005

Wednesday, 21 August 2019

THE 'PHANTOM' AT TWENTY: INTRODUCING WATTO!

Junk dealer extraordinaire, Watto!

"No money. No parts. No deal."

The memorable words of the ultimate shady wheeler dealer businessman and flying nuisance egotist Watto, the only alien in town who'll have the T-49 hyperdrive generator that Qui-Gon and his party vitally need for their damaged ship. And accepting Republic credits as payment? Don't bet on it when dealing with Watto, one of the best CGI animated characters of the Prequel saga, given distinctive vocal life by British actor Andrew Secombe, a talent called to work on the film by its then casting director, Robin Gurland, after being made aware of his producing and voicing an animation series for the UK's Channel 4 TV. Secombe would spend three weeks on and off at Leavesden filming the role in mid-1997, with three weeks on location in Tunisia for outdoor scenes that either never made the final cut or were planned for but abandoned.

Art by Doug Chiang.

Two character development art pieces from Iain McCaig circa 1996.

By Iain McCaig.

Anatomic design reference by Terryl Whitlatch.

Close-ups of the ILM reference model.


When asking for more character information, EPISODE I's Animation Director Rob Coleman was originally told by George Lucas that Watto was a native of Tatooine, though this was later changed in the film, and by the time of The Clone Wars animated series, instead becoming a part of the Toydarian race. For EPISODE I the character was to have worn a hat but this extra piece of animation was abandoned until Watto's cameo return appearance with EPISODE II.

"Watto proved a different challenge because of his design-he's got that huge belly! I remember some people at ILM saying because of his wing ratio he'd never fly. I happen to be watching one of the science and nature channels and there as a documentary on bumble bees and a scientist said, "Actually, the wing to body ratio is quite confusing, because technically they shouldn't be able to fly." I went back in and said, "The bumble bee has wings that are too small, so Watto's got wings that are too small. And by the way, his belly's filled with helium!"

Rob Coleman- Star Wars Insider magazine - 2010


The clay reference model of Watto comes to life at ILM via Mark Siegel.

"The general brief was for an Italian sounding second-hand car salesman. Apart from that I was left almost completely alone, except for the odd direction of "faster" or "slower". George (Lucas) is a man of few words."

Andrew Secombe  - Star Wars Aficionado Magazine interview (conducted with Ian Trussler) - 2006

Wattoo calls in his young 'helper' to front of shop duties.

On set scene positioning for later ILM CGI reference - Leavesden, 1997.

Andrew Secombe on set providing the voice and body reference to Watto, and wearing the character's hat discarded until EPISODE II.

Wednesday, 7 August 2019

THE 'PHANTOM' AT TWENTY: BLOCKADE FIRE!


They've escaped the planet's atmosphere, but can the Queen and her party aboard the Royal Cruiser navigate the immense firepower blockade around Naboo by the Trade Federation?

Great production painting art by Doug Chiang circa 1996/97 incorporating an early story idea where there was to be several decoy Royal Cruisers protecting their Queen that would be destroyed in the blockade run. The idea was dropped as it was felt that one cruiser under threat would ultimately be more high-stakes dramatic.

Monday, 15 July 2019

THE 'PHANTOM' AT TWENTY: A 'VERY ODD' GUNGAN!

Jar Jar Binks. Hesa back!

"George (Lucas ) made a movie for kids. That was always the idea, and they love it. What hasn't really been explored in all of this is how serious I am about the character. Some people look at Jar Jar as this novelty act, that he's there just to get a laugh. That's just disrespectful to George, to me and to everybody involved in the film. Jar Jar was probably one of the most complicated characters ever to be created in movie history. It was the first time somebody had said, "I'm going to do a completely digitally animated character which looks like and is voice by a live-action actor." That's not easy to do. A lot of work was put into him and a great deal of respect was paid to the character's creation."

Ahmed Best - STARLOG magazine interview (1999)

Best based his character's unique movements on comedian/Silent movies star Buster Keaton (he and Lucas, a film fanatic, would look at all of Keaton's movement and work out which moves they'd like Jar Jar to copy) as well as those of martial arts film star Jackie Chan, whom Best greatly admired.

Best's voice for Jar Jar was one of six that the actor/dancer recorded as demos. When hired, Best didn't know if he would be doing the voice alongside wearing the costume. It was only when the actor arrived for filming at London's Leavesden Studios, and attended the cast read through that he knew he had the voice too, specifically when he impressed young Jake Lloyd and made him laugh with his self-chosen voice (one that Best always did to amuse children) for the character. Best was told during filming by Lucas to not be afraid of going 'too dopey' with the character's realisation.

Early character art from Doug Chiang.

Character studies for Jar Jar by Iain McCaig from 1996.

More character studies.

Ahmed Best talks Jar Jar:

https://www.youtube.com/watch?v=KoGHuGW6yo4
https://www.youtube.com/watch?v=rNYK5lhAzvg


A selection of character maquettes for Jar Jar, as displayed at the STAR WARS IDENTITIES exhibition. Image: Chris Baker.

Jar Jar character introduction TV spot (1999):

https://www.youtube.com/watch?v=bG93Ek0Mzr4&list=PLw8ep6cYzDhoQfQavCbfLMa-oyambJX_X&index=7

Thursday, 4 July 2019

THE 'PHANTOM' AT TWENTY: A PARADISE UNDER SIEGE!

Production painting by Doug Chiang.

Of all the worlds to blockade by the Trade Federation, the choice of the near-remote idyllic Naboo is a strange one. Nonetheless, events to transpire there will be the powder keg to the next thirty-two years of detonated troubles for the Republic of the Prequel Trilogy, as paradise eventually segues its way into the very darkest of evils...



"We've been saturated in designs derived from the original Star Wars for 20 years now, and George (Lucas) wanted something really new. He said, "push the envelope, discover new things. " It was a surprise but really exciting. He said, "I want chrome, sleek shapes, Art Noveau, Art Moderne." That's when I realized that this was going to be something new and not just a rework of the earlier material."

Doug Chiang - 'Star Wars Episode I' - The Official Souvenir Magazine - 1999

CGI map of Theed.

City works in development at ILM.

Filming of the gorgeous city streets gets underway.

Tuesday, 2 July 2019

THE 'PHANTOM' AT TWENTY: STAND OFF!

Obi-Wan stands defiant against the incoming Droidekas. Production art by Doug Chiang.

"At one time, the Jedi were going to be like a UN peacekeeping force, with regimented costumes. Obi-Wan's age changed all over the place- at one time he was a youngish 50. For a long time we had a character who was samurai-like, with a ponytail and long sideburns. But it evolved, it suited the story better to split (the character) into Obi-Wan and Qui-Gon Jinn. Now here was an older mentor, and it told us a lot more about who the Jedi were. It's wasn't like a peacekeeping force- it was more like a temple, with an apprenticeship. When that happened, we revised the look. In the end, in order to make a really strong connection between the Obi-Wan we know and the Obi-Wan in the Prequel, we went back to the original costume design."

Ian McCaig - The Face magazine (1999)


Doug Chiang character concept for Obi-Wan, circa 1995.

Thursday, 16 November 2017

CLASSIC IMAGE: BEYOND A SMALL INCIDENT...


Supreme Chancellor Valorum's discreetly sent 'negotiators' arrive at the Trade Federation Blockade of Naboo, but difficult events will only spiral for the worse. More terrific concept art setting up the opening to EPISODE I, by Doug Chiang.

Wednesday, 7 December 2016

'SHADOWS OF THE EMPIRE' AT 20: IN XIZOR'S DOMAIN!


On a mission to discover the truth about the murder attempts on Luke Skywalker, and to see if Prince Xizor's offer to join the Rebel cause is truly genuine, Princess Leia Organa, in her pre-ROTJ Boushh disguise, gets more than she bargained for in her first encounter with the Falleen overlord, in this great art by Hugh Fleming for the popular STAR WARS GALAXY magazine Issue 7, Spring 1996, specially promoting the SHADOWS OF THE EMPIRE multi-media experience.

Wednesday, 23 November 2016

'SHADOWS OF THE EMPIRE' - AT HOTH AND BEYOND


Smuggler and reckless wiseass Dash Rendar takes centre stage in the heroism department, flanked by a variety of bad guy Imperial and Bounty Hunter figures, plus the ominous background presence of the manipulative Prince Xizor, for the cover of another popular multi-media incarnation of the SHADOWS OF THE EMPIRE computer game, this time for PC, from 1997. If anyone knows the artist here, please get in touch.



It was nice to see a YT-2400 freighter similar to Dash's efficient Outrider vessel (originally designed by Doug Chiang for the STAR WARS Special Editions) in the latest Season Three episode of STAR WARS REBELS, Iron Squadron.

STAR WARS REBELS imagery: DISNEY XD.

Rebels Recon #3.07: Inside "Iron Squadron" | Star Wars Rebels - YouTube

Sunday, 2 October 2016

'SHADOWS OF THE EMPIRE' AT 20: WHO'S FLYING THE FALCON?


Together, they're not quite the "Plan B" you'd expect for a major rescue operation, but Threepio and Artoo, despite their constant but lovable bickering, are just about competent enough to handle the delicate controls of the Millennium Falcon and race through the packed Coruscant skylines to spirit their human friends away from the clutches of Black Sun, in a fun moment from Steve Perry's SHADOWS OF THE EMPIRE story, artistically realized by the Hildebrandt Brothers for the spin-off's best-selling TOPPS cards run of 1996/1997.

This scene was also cleverly referenced by an unhappy Han Solo in Brian Daley's audio adaptation of RETURN OF THE JEDI, also released in 1996, which brought in other Expanded Universe ties within its six enjoyable episodes.

Monday, 19 September 2016

'SHADOWS OF THE EMPIRE' AT 20: BLASTER TIME!


One of its key aspects was to provide some welcome new storytelling for our Classic Trilogy heroes in the gaps between EPISODEs V and VI, but let's face it, LUCASFILM were also keen to merchandise the characters - and the new heroes and villains they'd be mixing with/fighting against - to the maximum inside this multi-media extravaganza, especially for the ever advancing world of computer gaming, as the SHADOWS OF THE EMPIRE Nintendo 64 game arrived to a million sales from STAR WARS fans and game players worldwide, making the most of the shadier sides of Steve Perry's written adventure, notably Black Sun's Prince Xizor and the smuggler for hire in Dash Rendar.

If anyone knows the artist/s of the above promotional art piece, please get in touch.

Tuesday, 23 August 2016

'SHADOWS OF THE EMPIRE' AT 20: CANTINA CONFRONTATION!


He's snagged his biggest bounty yet in the carbonized Han Solo he plans on delivering to Jabba the Hutt, but actually getting to Tatooine in one piece to claim that subsequent monetary prize? Well, that's gonna be a lot harder than Boba Fett thinks, especially when his rivals also want a share of the pie, as seen on the cover of SHADOWS OF THE EMPIRE's comic adaptation Issue 2, from 1996. Great art from Hugh Fleming for DARK HORSE COMICS.

Friday, 29 July 2016

'SHADOWS OF THE EMPIRE' AT 20: BALANCE OF POWER!


The galaxy stands at a crossroads as the forces of good and evil prepare to clash anew- a Dark Lord seeks to find his son, as a vicious crime lord rival waits in the wings planning to eliminate them both, whilst a desperate Princess searches for her carbon frozen lover. The epic saga of SHADOWS OF THE EMPIRE continues its multi-media dominance of 1996 with the 100 card TOPPS set featuring all-new art from the legendary Hildebrandt Brothers, a compilation of their fine work immortalized in this sneak-peak advert from the then STAR WARS GALAXY magazine.