Showing posts with label DEATH STAR II. Show all posts
Showing posts with label DEATH STAR II. Show all posts

Friday, 7 August 2026

CLASSIC ART: TO ESCAPE AN APOCALYPSE!


The Empire has been defeated, the Death Star is ready to destroy itself, and a son, who has prior rescued and helped redeem his late father from darkness, rushes to escape with his armoured body, in this superb art celebrating the emotional ending to Return of the Jedi, in 1983. An emotional death scene that brought the cinema houses down with tears worldwide.

A super art piece by Michael Heath.


Wednesday, 19 November 2025

CLASSIC ART: 'RETURN' OF THE HEROES!


It's amazing how much concept commissioned movie poster work for a Star Wars film is commissioned and rejected, and all by such great talents. This is a fun all-action reworking of the original Hildebrandt Star Wars poster of 1975 for Return of the Jedi, with the iconic John Alvin adding Han Solo to the original but more seasoned Luke Skywalker and Princess Leia pairing amidst a Death Star backdrop. And all three atop the gross Jabba the Hutt, no less!

Wednesday, 12 November 2025

DELETED SCENE: A GATHERING OF VILLAINY!

The time of the Emperor's arrival on the new Death Star has come.

Darth Vader's prior work at motivating the building teams of the Death Star II has yielded effective results. Now the Dark Lord gathers with his top Imperial officers for the newly arrived, fearsome Emperor, who is eager to see the space station and test its supreme firepower. 

A well-known deleted scene from Return of the Jedi cut for time and pacing reasons, and sadly one of only a very few sequences filmed showcasing Dave Prowse as Vader...


Imperial officers await Vader by the elevator entrance to the hangar bay as the Emperor makes his arrival.

Vader and Moff Jerjerrod (Michael Pennington) lead the assembled senior officers to the hangar bay.


A Stormtrooper (Gerry Sherard) keeps watch in the corridor.


Wednesday, 22 March 2023

'JEDI' AT 40: MISTER MOTIVATOR COMES TO THE DEATH STAR!

Darth Vader confers with Moff Jerjerrod in a specially posed publicity image.

Darth Vader immediately makes his mark on the Imperial officers with his arrival at the second Death Star, as a shocked and surprised Moff Jerjerrod (Michael Pennington, brilliantly dropping his 'adam's apple' early on) realises that the station's construction must be put back on schedule at all costs, especially so with Vader's news that the Emperor himself is on his way to inspect the ultimate weapon in the not too distant future...


Another specially posed image - note that Vader and Jerjerrod are walking in the opposite direction to what was seen in the film, as the immense hangar set was only half built from one side.

The Emperor is coming to the Death Star! A great posed image, of which a similar B/W would be adapted for use in the Marvel comics adaptation of the film.


Al Williamson and Carlos Garzon's artwork for the scene in the 1983 Marvel adaptation, which primarily adapted publicity stills. 

B/W outtake from the famous Vader publicity shoot used for the film's magazines/tie-in's and merchandise.

Having had a superb time working with director Irvin Kershner on The Empire Strikes Back in developing the 'thinking man's Darth Vader', actor/body builder Dave Prowse's return to the Star Wars filming universe from February 18th and 19th, then in and out towards April, 1982, is sadly not so welcoming by the new production team regime, as his scenes playing the character are scaled back primarily to posed publicity images and walking/conversation sequences on the second Death Star's key sets whilst stuntman Bob Anderson (having previously played Vader to great success in action scenes for TESB) becomes the primary actor to play the role for the film's showpiece lightsaber duel sequence, and its key dialogue sequences linked to Luke and the Emperor. Not enjoying working with new director Richard Marquand (who largely ignores the actor and any suggested input from Prowse), not allowed to see the film's entire script (indeed, with the total secrecy surrounding the project, Prowse is often given fake lines to say as Vader that will be replaced with the real ones spoken by James Earl Jones during 1983 post production), and overall feeling untrusted - regarded as a security leak due to his friendly and enthusiastic connections with the Star Wars fan base, as well as a then mostly positive relationship with the British press - it's no wonder that the actor would go on to famously consider his brief time spent on Return of the Jedi as the most unpleasant experience he'd ever had on a film set. But worse is still to come, and in the most unfair of ways, for Prowse at Elstree in the not too distant future...

Continuity polaroid of Michael Pennington and Dave Prowse on the hangar set - February, 1982.

Enthused and ambitious British director Richard Marquand is keen to continue using the best and brightest of the British acting community's talent on the film, even using/recommending friends he'd previously worked with or known whilst he himself had briefly been in the acting profession during the late sixties and early seventies. Acclaimed British Casting Director Mary Selway Buckley would be on hand to equally advise Marquand. Michael Pennington was once such popular stage actor that Marquand was keen to use for an Imperial, especially in the role of the nervy but loyal Moff Jerjerrod. Across the period of filming, Pennington's on-set stand-in was Jack Dearlove, whilst Dave Prowse's was Roy Emerson.


Michael Pennington in a posed publicity image as Moff Jerjerrod.

In the original drafts, Jerjerrod's character was to have had a much more expanded role as a rival to Darth Vader in the Emperor's eyes - picking up where Vader failed in trying to capture Luke. He was, in effect, the Emperor's Counsel (and Vader would have to salute him!). As a result, Vader was to be very jealous of Jerjerrod. The ambitious Moff was also not supposed to be quite as nervous and cowardly as he ended up being during the beginning of the final film. In fact, he mouthed off to Vader quite a few times and there was always an air of competition between the two. In the final draft, however, Jerjerrod's role was reduced and even more so when the eventual final cut of the film was released. It is widely believed that Jerjerrod wears the wrong rank badge due to a "blooper" during production on ROTJ, as claimed, for instance, at the Star Wars Technical Commentaries fan website. However, there seems to be no direct proof supporting this, and Jerjerrod's insignia need not, in fact, be inappropriate for his rank.

The expansive Death Star hangar set primarily built as a one half side only set located on the prestigious Star Wars Stage at Elstree would house a specially built (from ILM design plans) partial replica of the superb Imperial Shuttle set. More on that, behind the scenes-wise, with the later arrival of the Emperor...



Thursday, 2 March 2023

'JEDI' AT 40: DEATH STAR HANGAR ARRIVAL!


Cleared through the security shield protecting the Death Star, the lone Imperial Shuttle carrying its ominous passenger heads into one of the station's busy hangar bays...

The sequence would be an opening tour de force for the matte department, whose talents were put to the fullest (and beyond!) with their work across the many environments seen in Return of the Jedi.


A foreground miniature placed in front of the matte painting.



Shot on the ILM blue screen stage, two Space Stormtroopers at work welding. A last-minute filming addition, they would be blended into the final matte painting approach but were ultimately barely visible on screen only in the film's 1983 theatrical version.

Hangar arrival- again Shuttle model, ILM extras and matte painting combined. Note the painted TIE Bomber bottom middle.

The full matte painting which the model would be inserted onto.


Another matte painting used- showing the suspended TIE Bomber and a space for the Elstree Studios filming of hangar-arriving Imperial delegation.

As seen in the filming

Matte painting genius Frank Ordaz working on the first version of the above painting, one without the TIE Bomber and overhanging droid.

Full length revised version.



Sunday, 5 February 2023

'JEDI' AT 40: THE SECOND 'DEATH STAR'!


Like a spider in its complex web waiting to ensnare the odd victim or three, the second iteration of the Death Star battle station resides firmly in orbit above the sanctuary moon of Endor, ready to do the Emperor's evil bidding as he sets in motion his unique trap against the Rebel Alliance. His fully armed and operational satellite will finally be unleashed...


Close-in details of the model.

One of the most important models amongst the one hundred and seventy-five built for Return of the Jedi, here's a visual look at the Death Star II's conceptual art and model building...


An organic looking Death Star in conceptual development.


Early genesis development.


Upside down detailing on the model.

Nilo Rodis-Jamero and Phil Tippett clown around with the model and its clock weapon!

Bill George at work on the model.

ILMer Randi Ottenberg at work on the evolving detailed model.



Lucas inspects he developing space station in the ILM model shop...

... as do Lorne Peterson and producer Howard Kazanjian.



Jeff Mann and Bill George at work on the model.

More incredible detailing.

A proud ILM member with the completed model.

Ray Gilberti with the model on one of the ILM blue screen filming stages.



Friday, 27 January 2023

'JEDI' AT 40: UNEXPECTED ARRIVAL!


Above the forest moon of Endor, the ominous construction continues of the second Death Star space station, boasting even more dreaded destructive firepower than the its predecessor. But the pace of such important construction is not proceeding as fast as the Emperor would like in his ongoing need to destroy the small but effective band of Rebel Alliance outlaws plaguing the galaxy. The solution: send the ultimate force for 'increased productivity' to the station. And that can mean only one unique figure, the all-powerful Lord Darth Vader!

A lovely, specially created model composite image establishing angle by ILM for publicity and merchandising of the film during 1983.