WHEN SITH'S COLLIDE! THE 'SHADOW LORD' MEETS HIS MATCH!

He's back, and badder than ever in Maul - Shadow Lord's gripping opening season finale.

It was the showdown worldwide Star Wars fans always wanted to see made a reality away from prior comic interpretations, as a non-speaking Darth Vader, a Sith Lord with slaying on his mind, menacingly took on the renegade Darth Maul, now out to build a new criminal enterprise for himself across the galaxy, and his reluctant fugitive comrades (including two runaway Jedi), all of them trapped within the jungle outskirts of the planet Janix, a world to which there now looked like no escape from. The confrontation/unleashing of Vader, returned to welcome animation form, was a big surprise and it proved a stunning action sequence to watch, certainly earning its place in the Saga's pantheon of classic scenes. It was a fine and exciting finale to Maul - Shadow Lord (one clearly acting as a tribute to a similar, if smaller in number, duel partaken by Vader against Luke and Leia on Mimban during the climax to 1978's Splinter of the Mind's Eye novel - the first Expanded Universe tale), whose opening season I thought started off quite dull, littered with mostly uninteresting supporting characters (who could have been in any bland police procedural drama ) and a thin overall story arc. Thankfully, as ever, Vader knows how to save the day and the streaming ratings! 

I'm sure the majority of fans will completely disagree with my assessment of the show as it so far stands. Nonetheless, as we all await the eventual second season, I hope it will ultimately prove more inventive in further showcasing one of the Prequel saga's greatest villains beyond the small-time criminality prior watched, and more of his fight against his once Sith Master whilst his own so far struggling empire builds further. Will there possibly be a Vader re-match? 

Scene Breakdown: Darth Vader Duels Maul | StarWars.com

One against many, but Vader will always get the upper hand!

Duelling in the forest of doom.

'

To slay a Jedi!

The clash continues!

The grip of evil!

Great character poster art promotion for the season finale.

EPISODE II: TO CHALLENGE A SITH!

Immature and reckless he may be, but the bravery of young Jedi Knight Anakin Skywalker, and his determination to stop the trouble-making Separatist Leader Count Dooku from unleashing his galactic war-making plans, shouldn't be overlooked, in this great image from Episode II.

CLASSIC ART: CLASHING 'SABERS!

The lightsabers used by the Jedi Knights of the Old Republic may have passed into history by the time of the original Star Wars' story showcasing Rebellion vs Empire, but the emergence of Jedi-to-be Luke Skywalker, and his mentor Obi-Wan Kenobi's duel with his former pupil Darth Vader, soon make the weapons iconic and a perfect representation of good vs evil for this unused American poster concept art from 1976/77. 

If anyone knows the artist (I assume it's Tom Jung), please get on touch...  

'THE FORCE AWAKENS' AT 10: THE DUEL!

The Force is fully awakened in Rey as she duels Kylo Ren.

Their friend Han Solo has been murdered before their shocked eyes, and now his slayer, Kylo Ren, has come looking for Rey and Finn in revenge for their heroism against both him and the First Order, whilst Starkiller Base begins its dramatic death throes all around them thanks to Resistance attacks. Amidst the eerie snowfall surroundings, Finn regrettably falls to Ren's superior lightsaber swordplay, but Rey is soon on hand to display her further astonishing skills in the Force and boldly challenges the fallen angel, of which she'll ultimately find the strength and courage to memorably defeat him...

A first for the saga, an atmospheric lightsaber duel in the snow, and a standout scene of drama, action and crowd-pleasing emotion from The Force Awakens.

Finn begins his bold if undisciplined attack on Ren.

Rey continues the fight and shows how the Force has equally awakened within her.

AN 'EMPIRE' AT 45: THE DUEL BEGINS!

The moment has finally come for Luke Skywalker to face his demon, as personified by the brutal presence in the Dark Side of the Force that is his nemesis, Darth Vader, the man/creature who helped wipe the Jedi Knights out of existence and whom supposedly killed his father. This duel will not just be a test of Luke's skill, but also his character, physical and psychological strengths. He'll need all of that not just to stay alive against such an experienced and lethal duellist, but also for the disturbing and shocking revelation that the Sith Lord will impart to him at the worst possible time...

Superb Marvel Comics art by the legendary Daredevil writer/artist Frank Miller back in 1980, celebrating one of the The Empire Strikes Back's greatest and most intense-to-watch sequences.

'EPISODE III' AT TWENTY: THE VADER FACTOR!

One of Lucasfilm's most ambitious and effective marketing campaigns yet for the Star Wars Prequels, designed to bring in fans old and new to movie theatres, featuring the iconic Darth Vader, whose emergence in Episode III proves crucial in bridging the two George Lucas created trilogies together. Indeed, Vader is the key marketing image for movie posters and selected advertising/merchandise worldwide during May 2005, as well as subsequent later tie-ins...

'EPISODE III' AT TWENTY: LIGHT VS DARKNESS!

The Duel of the Fates continues..

Now returned to Coruscant in the aftermath of the brutal slaying of their fellow Jedi during Order 66, Obi-Wan goes off to find Anakin Skywalker via his connection to Padme, whilst Yoda confronts the evil and repulsive Darth Sidious, their intense lightsaber duel taking them into the heart of the senate audience chamber. Though Yoda's impressive skills in the Force almost win the day, it's ultimately the Emperor/Sidious who wins through, as a defeated and depressed Yoda realises that he will now have to begin a life of exile on a mysterious alien world later revealed as Dagobah.

A thrilling CGI sequence that once more makes effective use of John Williams supreme score, originally composed for Episode I but reused here: Duel of the Fates.

The Emperor's hideous cackle must not deter Yoda from combat.

"Fighting Frank (Oz) - fighting Yoda - was a joy. And then I got to experience the full beauty of CGI. In other words, actors in battle with invisible people. Although it was a very precise choreographic sequence - it would have to be, you've seen it - which we did do. Then I sensed, in fact George asked for it in a polite way, he wanted a few sort of improvised strokes. So basically I did a rap to thin air at the end of the choreographed sequence and then collapsed with exhaustion and hysterical laughter on the floor. I don't know if any of those movements are in the final cut... That wasn't difficult, that was great fun."

Ian McDiarmid - Episode III DVD press launch interview - 2005

'EPISODE III' AT TWENTY: NICK GILLARD AND THE ART OF LIGHTSABER CONFLICT!

Delivering the duel fans had waited for, Nick Gillard, with Kyle Rowling and Michael Byrne, observe Ewan McGregor and Hayden Christensen in posed action for Annie Leibovitz's special Episode III coverage in Vanity Fair - 2005.

With the thrilling duel between Qui-Gon Jinn and Obi-Wan Kenobi against the lethal double-bladed nastiness of Darth Maul, Prequel Stunt Coordinator Nick Gillard delivered action not previously seen or experienced in the saga to thrilled audiences and fans worldwide. Now, with Episode III, and the eagerly awaited lightsaber conflicts detonating the end of the saga, especially the emotional final conflict between Anakin Skywalker/ Darth Vader and his former friend and master in Obi-Wan, the accomplished, thoughtful Gillard, with an exceptional British and Australian stunt team alongside him, as well as enthused work from stars Hayden Christensen and Ewan McGregor, was ready to deliver the exciting goods once again, with years of planning on his side going into 2003-2005 and an excellent grasp of the main characters, giving them their own unique fighting styles that have endured for over twenty years.

Star Wars Aficionado celebrates and thanks Nick Gillard for his iconic work. 

Kyle Rowling and Hayden go through a specialist move.

Going through the moves with Nick Gillard on Episodes II and III.

Making a point with Ewan, who took to the dance-like Lightsaber duelling with speed.

Ewan and Hayden working with Kyle Rowling on the film's opening duel with Count Dooku.

"Hayden worked really hard. He did six hours of sword fighting every day with us, and then he did two hours of training plus an hour solid of weights and an hour of cardiovascular work. And he had to eat about six times a day!"

Nick Gillard - STAR WARS INSIDER MAGAZINE - January/February 2006

"I think we both really work well off each other. He's (Hayden)  a great actor and he did a really good job in this. Yeah, I think we worked really hard on this one and we were all really comfortable."

Ewan McGregor - Unknown Internet interview quote - May 2005

The epic duel as realised at the FOX Studios, Australia, towards the end of Episode III's filming.

Nick Gillard watches the action closely.

Obi delivers a kick blow to Anakin.

Coordinating the filming of the Mustafar lave flow skiff duel scene.

On Episode II, a great posed shot with Samuel L. Jackson and Ewan McGregor.

Nick Gillard BREAKS The Internet STAR WARS Prequels MASSIVE Interview - YouTube

'EPISODE III' AT TWENTY: TO DUEL A SITH LORD!

Lucas watches the new choreography between Ian McDiarmid and Samuel L. Jackson, hastily supervised by Nick Gillard.

With the Sith enemy finally revealed as none other than the Supreme Chancellor himself, Mace Windu finds himself in single, brutal lightsaber combat with Darth Sidious and thankfully seems to overpower his nemesis. But when Anakin Skywalker arrives on the scene playing out within the Chancellor's office, and sees Windu readying to kill the evil energy scarred Sith, the young Jedi has no choice but to intervene, so as to save the life of Padme. And so comes a shocking end to the respected Jedi Master, but a man who had nonetheless been wary of Anakin since his introduction to Yoda and the Jedi Council in Episode I.

"I suppose it's easy to play, I think, a hypercritical politician with a smiling face. It's also quite gratifying. Most difficult, certainly for me, were the all action sequences. The sequence fighting Sam (Jackson) and persuading Hayden (Christensen) to send him through the window. But you'll see from the DVD we had our problems that day. They weren't big ones and were easily surmountable."

"I'd learned some stuff and I worked with Nick Gillard, and when George saw it on the set it wasn't what he needed. And interestingly enough what he needed was more of me. I'd rather thought they'd want less of me. But he wanted not just my facial expressions, which would have been obvious and he was not terribly interested in replacing faces unless it was absolutely necessary, he wanted my energy."

Ian McDiarmid - Episode III DVD press launch - 2005

Locking sabers: Darth Sidious and Mace Windu.

Lucas goes through planned moves on set.

Lucas watches Ian McDiarmid with his double, Michael Byrne, as Sam Jackson and Nick Gillard wait to see what is improvised in the duel.

McDiarmid gets some intriguing new duelling moves in the sequence that are far different from any Jedi's attack/defense.

Filming the duel sequence near the what will be a CGI-smashed observation window.

The sparks are flying!

Anakin arrives to see the fallen Palpatine, as seen in this visual script page from Nick Gillard.

Holding two lightsabers (one presumably being Sidious's) in an unseen moment, Mace resists the dark side energies against him, watched by a troubled Anakin.

Onscreen, with just one saber taking on the powers of Palpatine.

Windu, with just his own saber, holds firm against the Sith's evil energies, but Anakin's surprise action leads to his demise at Sidious's hands - 'unlimited power'!

Mace is propelled out the window in the scene shot at the FOX Studios, Australia.

Jackson enjoys his 'death' alongside Nick Gillard.

"Yeah, it was hard work, a lot harder than before. You get what you ask for sometimes, and it's... damn! So, I ended up in Australia, and then I guess I had to rehearse for 8 days before I actually shot it, learned a 137-move saber fight. It was crazy."

Samuel L. Jackson - Tiscali Internet interview - 2005

"All of the stuff that I shot is in the movie. Nothing is on the floor, and George kept calling me back. We filmed Revenge of the Sith two and a half, almost three years ago, and I went back six times to do re-shoots, enhancement shots or whatever. We kept adding more and more, and all my material is in the picture. I even had to go back and sort of redo my death scene because George didn't think it was long enough. Well, I was kind of there like, "Ahhh," and then out of the window, George was like, "No. No. Stay in there." My death is cool. Actually, I could have ended the saga. I'm still a bad mother, but I had Sidious. I had him!" 

Samuel L. Jackson - Starlog magazine issue 337 - August 2005

Sam Jackson celebrates the 20th Anniversary landmark. Image: Facebook.

'EPISODE III' AT TWENTY: GRIEVOUS BODILY HARM!

Multi-saber murderer!

No longer the coward, the evil General Grievous decides to stand and fight, putting his unique and lethal lightsaber skills to bear against his ongoing enemy Obi-Wan Kenobi, whilst the environs of the sinkhole city of Utapau now resound to the fire of warfare with the newly arrived Clone Troopers. Another great moment for the cyborg villain in his final scenes during Episode III.

Obi-Wan proves a match for the Droid General.

"Since Dooku gets killed off early, I needed to have a villain besides the Emperor, who is the ultimate villain, the real key villain. I needed another person. A MacGuffin for the Jedi to go chasing around the universe. I also wanted to foreshadow what was going to happen to Anakin. So here we have an alien who's been put into a droid suit, he's a half-alien, half-droid. I wanted him to be quite a lot different from Darth Vader. Dooku was foreshadowing the idea that the Emperor would take a disgruntled Jedi and turn him into a Sith Lord. So with each film we kind of foretell a little of what is going to happen with Anakin. In this case, Grievous is that mechanism."

George Lucas - Empire magazine - June 2005

An Ode to Grievous | StarWars.com

A close-in shot of the malevolent alien/droid warlord.

'EPISODE III' AT TWENTY: THE DUELLISTS!

Once good friends, now opponents in light and darkness, the epic end of a friendship, of spiritual brotherhood, between Jedi Master Obi-Wan Kenobi and his former apprentice now hero Anakin Skywalker, is brilliantly rendered in this great art that touches on this front and centre storytelling aspect that would capture fans imaginations with Episode III's soon descent into fiery darkness and violence.

If anyone knows who the artist of this piece is, please get in touch.

'ATTACK' AT 20: YODA vs DOOKU!

An intense duel ensues between the towering force of Count Dooku and the small but determined Yoda, the latter of whom soon shows the latest Sith Apprentice the full power of his abilities. Recognising potential defeat or stalemate, Dooku creates a distraction for Yoda that requires his abilities to rescue the injured Obi-Wan and Anakin, now in danger, instead. The Count soon escapes the hangar safely within his Droid-operated Solar Sail vessel pod.

“From what I could tell, George was asking for the Tasmanian devil.. every time we showed it to him he said, “Amp it up! He’s got to be bouncing around!” He kept saying, “He’s a frog, this wicked-ass frog that’s going to kick it.”” 

Rob Coleman - DVD Review magazine Issue 44 - 2002 

“I’ve done more fights on celluloid than any actor in history…and I’ve got the scars to prove it. And this fight is greater than anything I’ve been involved in.”

Christopher Lee - DVD Review magazine Issue 44 - 2002

“I thought it was a remarkable scene considering that I never, at any time during the fight, actually saw Yoda. When we were filming, he wasn’t there. There was no time to position him. The whole thing was very fast and quick, so there wasn’t any time to place him 40 feet up on the left, or 10 feet to the right or wherever he was. I had to do it against blue screen, without Yoda being there, or anybody else for that matter. It was mainly a question of eye lines. I was told to look in that direction, make that movement and then make another movement in another direction. It was choreographed. That was the only way to do it. The long shots where Dooku is running (weren’t performed by me) because I was 79 or thereabouts, and I just can’t run. So that’s done by a double. But everyone had doubles, and they are in Episode III too. They have to be on certain occasions. But most of the stuff that you saw that was close-up-that’s to say knees upward, waist upward-was done by me.” 

Christopher Lee - Starlog magazine Issue 336 - July 2005

Locking lightsabers!

A deleted moment where Dooku uses two lightsabers.

A part of the filmed duel sequence saw Dooku wield two sabers against Yoda but this experimental footage was ultimately unused, though still photos from it were used for EPISODE II marketing and publicity purposes linked to the Dooku character.

Struggling to find a way of developing a fighting style for Yoda that must be believable on screen and win over audiences, a desperate Rob Coleman seeks advice from his friend and SW co-star Ahmed Best. Together they watch classic martial arts movies loved by Best and pin down the little Jedi's unique combat style.

An impressive visual shot from the duel sequence.

Yoda congratulates Dooku on his duel prowess.

Dooku provides the cowardly distraction needed to escape.

Yoda rescues Obi-Wan and Anakin as Dooku escapes...

More on the live action part of the filming:

STAR WARS AFICIONADO WEBSITE: CLASSIC IMAGE: THE TWO MASTERS OF DARKNESS!