Showing posts with label TWI'LEK. Show all posts
Showing posts with label TWI'LEK. Show all posts

Thursday, 31 March 2022

THE CLONE WARS: LIVING THE DREAM!


Within his pirate base on Florrum, that Weequay scoundrel Hondo Ohnaka is enjoying the fruits of being a pirate leader, before Ahsoka and her young Jedi padawans come along to cause chaos, in The Clone Wars Season Five love-it-or-hate-it episode, Bound for Rescue.

With the recent acclaimed live-action debuts of the Inquisitors and Cad Bane, let's hope its not too long before the lovable rogue is active anew somewhere in the Disney+ series pipeline.

Thursday, 5 September 2019

THE 'PHANTOM' AT TWENTY: NEGOTIATING WITH WATTO!


Confident of Anakin's skills as an intuitive pilot, and knowing how heavily the Force is imbued within him via a prior discovered, off the chart Midi-chlorian count, Qui-Gon, with Jar Jar Binks in tow, seals his prior financial deal with the greedy Watto for the boy's entry into the Boonta Eve pod race, alongside some sly use of the Force to win Anakin's freedom once his victory is confirmed. Though impressed with his slave, Watto has instead gambled on the dangerous and cheating Sebulba - Anakin's rival, confidently expecting the Dug to win, with Qui-Gon's Nubian-built ship as part of the extra profits!

A selection of life size prop pod racers built for use in Tunisia would also be staged on the partial hangar set at Leavesden, with ILM model shots/set extensions created/superimposed in post production.


High angle shot of the Leavesden set.

One of the Twi'lek female extras gets some make-up application.

The Twi'lek girls alongside the Sebulba reference cut-out.


Ahmed Best, Liam Neeson and Andrew Secombe rehearse their scene.

A closer look at the UK built pod racer props.

Friday, 23 February 2018

BEHIND THE SCENES: IN TWI'LEK COMPANY


In the corridor outside the Supreme Chancellor's office set at the Fox Studios, Australia, Matt Rowan as Senator Orn Free Ta enjoys the company of some of his fellow Twi-lek companions, in a fun moment shot by the EPISODE II documentary team during filming in 2000.

Thursday, 7 September 2017

DELETED SCENE: POLITICAL TIME-WASTING!


In his senate podium on Coruscant, the greedy and quite repulsive Twi'lek senator Orn Free Ta (played by Jerome Blake) and his equally dubious retinue observe political goings-on, in unused second unit footage filmed at Leavesden Studios, for EPISODE I.

Thursday, 5 May 2016

CLASSIC IMAGE: IN SPORTING COMPANY!


In one of the special seating areas of the Boonta Eve pod race on Tatooine, a noticeable alien Anx gambler from Raiobello enjoys not only the fast moving sport but also the company of a charming Twi'lek, during this UK second unit filmed crowd scene for EPISODE I.

Sunday, 17 May 2015

AFICIONADO REVIEW: 'LORDS OF THE SITH'



STAR WARS: LORDS OF THE SITH

Written by Paul S. Kemp

Published in UK hardback by CENTURY PUBLISHING


Reviewed by Scott Weller


Though still a relative newbie to the STAR WARS printed empire, author Paul S. Kemp has nonetheless managed to make a quick impact and successful immersion into it with his original novels and new characters highlighting Jedi and Sith conflicts across generations of storytelling. Now, however, he gets to officially play with the big toys- the canon series most popular and least morally chaperoned evildoers in the Dark Side, for what must surely be his most ambitious action/adventure tale yet, LORDS OF THE SITH, out now in UK hardback from CENTURY PUBLISHING and already entering a second successful printing States-side.


Ten years after the significant events of EPISODE III and before STAR WARS REBELS and EPISODE IV, the wellspring of hope that will become the Rebel Alliance is not yet a reality, but pockets of resistance are springing up against the machinations and power lust of the First Galactic Empire. The biggest in size and most daring in disruptive endeavours being located on the perpetually troubled Ryloth, as Cham Syndulla, a veteran of the original Clone Wars, having seen his planet attacked and enslaved not once but twice, allied with his dedicated Free Ryloth guerilla fighters brazenly gain noteworthy victories against their heavyweight oppressors, victories that soon capture the attention of the Sith overlords on Coruscant when much needed spice production grinds to a halt. No longer willing to tolerate such insurrection on Ryloth, the Emperor and his Rottweiler servant in Darth Vader soon prepare the ultimate lure for the green-skinned resistance forces, as orchestrated plans are made for a “special visit” which they know will bring Syndulla out of hiding and into their destructive grip.

“There’s always a bigger fish.” So said one wise Jedi to his Padawan many years ago. And this “bigger fish” with the news of Vader and The Emperor’s imminent arrival is indeed the ultimate prize for Cham- his attack plan as equally blunt: kill them before they can kill us! Regardless of the scenario being a trap, the opportunity to rip out the very heart of the Empire is just too good an opportunity to pass up. With all their resources soon committed, though, this will be Syndulla and his band’s last stand, which they must win at all costs!

Soon enough, the technology might of the hard-as-steel Empire clashes against the equally dedicated and controlled, know your environment tactics of the Ryloth resistance. Separate and together, Vader and the Emperor know their powers within the Dark Side, but the enemy soon shows greater resources and skill than they’d previously foreseen. Will even they find themselves out of their depth in the brutal battle for survival and final control that lies ahead- not just from the humanoid enemy forces but also the planet’s diverse and hungry-for-flesh life forms?

Their Empire to keep: the black-hearted Darth's Sidious and Vader

A gritty and carnage-rife tale of war, divided loyalties and corruption, LORDS OF THE SITH has no shortage of action in its 285 pages, rallying heroism and twisted villainy side by side. By far, though, the first half of the book showcasing the Twi’leks preparing to, then executing, their plan of attack on the Sith duo in their Star Destroyer, the Perilous, proves to be the best and most exciting, with technology and weaponry involved ultimately closer to the era of EPISODE III and the Prequels than that of the Classic Trilogy. Strange then, once on Ryloth- a fine choice for a battleground after its tragic history chronicled in THE CLONE WARS three-episode Season One arc, that the second half’s hunters-as-the- hunted aspect doesn’t prove quite as exciting- the kind of epic battle we see depicted on the book’s striking front cover, with AT-AT’s behind Vader and The Emperor no less, something we don’t quite get to see. But don’t be dismayed, the deadly duo still get some well-deserved time together on the printed page, embellishing their uniquely evil and sadistic repartee, as well as unleashing their incredible, awe-inducing energies to frightened antagonists both Rebel and Imperial.

No stranger to examining the motivations and power plays of the Sith mindset, Kemp clearly enjoys the unique pairing that is Vader and The Emperor as seen in the movies, building on the intense relationship between master and apprentice, and their rivaling for power and control, and in being part of the Way of the Sith and its disciplined and deadly mentality linked to the rule of two.

The Emperor shows his manipulative side from his days as Palpatine, as well as the kind of “unlimited power” not fully utilized since EPISODE III. Together with raw mental cunning and an ability to sacrifice anyone or anything to his advantage, there’s a reason why he'll always be very difficult to kill, continuing to fascinate and frustrate his apprentice servant and those around him with his seemingly all-knowing and all-seeing submersion into this most violent side of the Force - a condition he savours!

Darth Vader and the Emperor- unleashed!

On his own, Vader is equally well brought to life in his complex aspects as warrior, Sith, and former Jedi, alongside his self-absorbed vanity and lust for the power of the Dark Side. Past memory fragments and unused skills from his time as Anakin Skywalker re-surface at important moments, reminding us of his tragic origins yet also of his unique gifts. There’s even a certain reference to a former young Padawan leaner of his, surely a reminder of what’s to come between them for REBELS Season Two.In LORDS OF THE SITH, Vader's showcased to action-packed form throughout, no holds barred battling for his and his Master’s survival once crash-landed on Ryloth- a welcome move by Kemp after years of LUCAS BOOKS having their star villain so underused in print, sometimes having made only the odd fleeting appearance here and there during the last six years or so.

Vader is the ultimate knife in the heart of peace and justice, dispensing his unique brand of cleansing right from the book’s get-go, as one of Cham’s resistance cells is swiftly destroyed in a V-wing fighter attack which the Dark Lord commands with typically ruthless efficiency, followed by an up close and personal assault on the stolen Imperial transport, massacring his enemies with precise and cruel efficiency. Vader’s ability to bring genocidal slaughter remains undiminished- first there was the Tusken Raider camp all those years back, now innocent Twi’leks unintentionally caught up in the conflict quickly enter range of his swift crimson blade swings!

Another noteworthy plus for Kemp is his fine use of, and tribute to, conceptual artist/legend Ralph McQuarrie’s original idea for Vader’s wearing of his unique breathing mask during STAR WARS early design stages– then it was to enter the airless corridor of the Rebel Starfighter, now we see the Dark Lord literally making a bold spacewalk in story form onto the stolen Imperial Transport after having dispatched his V-wing fighter into it kamikaze-style! This bit of referencing and celebration was great to read.

Ryloth rebel leader Cham Syndulla, as seen in THE CLONE WARS animated series.

With opponents like Vader, to fight a monster may mean having to become a monster yourself. Then there’s the opinion that one man’s terrorist is another man’s freedom fighter. Both these unsettling dichotomies constantly play in the mind of Cham Syndulla during this epic struggle, as Kemp manages to add some nuance to the angry and bitter character seen in the animated series, now trying to convince himself and his conflicted conscience that his actions, no matter how high the body count and the destruction wrought, must ultimately be worth it.

A calculating warrior with a passion for survival, Cham will need to find all his reserves and more against the Empire and the tyranny of the Ryloth oppressors, including one of his own in the overbearing and greedy form of unscrupulous Orn Free Taa, who has done so much to enslave his people and make life miserable. Such dedication and fire will ultimately continue through his family lineage, via his equally passionate daughter, Hera, in another time and another place.

Kemp also concocts additional die for the cause Twi-lek warriors, particularly Cham’s loyal to the end lieutenant, the ex-slave Isvar, who proves a capable and strong right-hand woman ready to dish out Imperial death until the last drops of her very blood have been spent.

Finally, further gray moral drama can be found on the story’s periphery, courtesy of two all-new Imperial characters soon caught on the opposite side of the battle-lines: the corrupted Moff Mors, too-long enjoying the benefits of her Imperial position from her compound on Ryloth’s moon, what with its array of pleasures and shapely Twi’lek female slaves, and the equally corrupted younger Colonel, Belkor Dray, stationed on Ryloth prime, keen to remove Mors, whom he deeply despises, and establish a powerbase of his own by aiding Cham’s resistance when it’s proves to be in his best interests. Both Mors and Belkor prove potentially interesting at the start but are sadly under-developed and seem a little lost by the story’s inevitable conclusion.

AFICIONADO RATING: So, a great first half, and some very effectively written sequences here and there, especially the memorable finale scenes involving Vader and The Emperor, yet LORDS OF THE SITH ultimately has no major landmark qualities about it, nor is it quite the thoroughly barnstorming and thrilling conflict I’d personally hoped for. It is, however, a solid and adult entry in official canon, of which readers will surely appreciate Kemp’s setting-up of future plot/character strands linked to REBELS Season Two, especially with regards to Cham’s daughter, Hera, and her family’s shattered history of warfare against the soon full-time arrival in that series of Darth Vader. 7 out of 10

Get hold of LORDS OF THE SITH here:

With thanks to CENTURY PUBLISHING UK.

Wednesday, 18 February 2015

CLASSIC IMAGE: "STRESSFUL TIMES"!


Finally, EPISODE II revealed the all-important, politically savvy, later brave defier of the Empire, Bail Organa, to the Prequel Universe, as played by Jimmy Smits, seen here with Captain Typho and a Republic delegation to the Supreme Chancellor at the movie's start. Smits was a fine addition to the STAR WARS universe- and I wish that he'd had more screen time in the final episodes than he eventually got.

Wednesday, 20 March 2013

ROTJ AT 30: DANCING QUEEN! A TRIBUTE TO OOLA



By Scott Weller and Kenneth Chiu

Despite spending a year and a half working on a special issue of RETURN OF THE JEDI in time of publication for its then 2007 publication, and after hours of scanning and collecting and checking info, I’m annoyed to say there was something I sadly didn’t go into as much detail on as, in retrospect, I should have-and I don’t know how I missed her: Jabba’s slave girl/dancer Oola, as played by the ever-talented actress/dancer Femi Taylor. Perhaps her large omission from the copy was due to the fact that so many of her scenes are in the SPECIAL EDITION of RETURN OF THE JEDI, which we haven’t covered –the tribute issue being strictly dedicated to the pure original 1983 version of the movie- and this may in this instance have unconsciously hindered my editorial judgment. So, my apologies to all you Oola fans out there who appreciate the late green skinned alien dancer- a brave soul who met a sad, ignominious end as an entrée on the Rancor’s dinner menu. 

We’ve obviously covered a bit on Miss Taylor/Oola in our pages of behind the scenes material anyway, but we could have done a lot more about her (though readers, don’t despair, there’s still plenty to read in our 572 page MAKING OF issue that will more than compensate for some of the missing info). With this blog, however, I intend to restore some of the balance regarding the character.

So, with additional thanks to one of the world’s greatest Oola fans, Kenneth Chiu, here’s some excellent extra info compiled that we wanted to let you all know about…


1.  For the role of Oola, whose final image wasn't locked in yet at Pre-Production, Lucas and Marquand decided that they needed a black actress to play her, due to possible color issues when applying the makeup.  Femi's agent was asked that the actress show up in a swimsuit, which she did, and was asked to move/walk.  She recognized the director, Richard Marquand, as a family friend and talked to him later on, re-introducing herself.  When she passed the first audition, she was then invited to a grueling dance audition with then choreographer Anthony Von Last.  She was told she won the role as she gave him a ride.

2.  Her brother Benedict was the one who gave Femi's contact info for the Special Edition.  She was in San Francisco
 when she was called.  Her brother had worked with Rick McCallum and was a good friend through working with him on Young Indiana Jones.

3.  Initially, plans were for Femi to go to California to stay during filming, but Femi preferred to stay in London
.  As a result, they took a face casting of her face to show to Lucas.  Rumour was that an entire body cast was done.  At least, it was done for Claire Davenport also, so that Lucas could have an idea of their body shapes.  Make-up tests were done as well as the head tail fitting with Stuart Freeborn in attendance to receive feedback to how green and alien the character was supposed to be. The green paint took about three to four hours to apply on her first appearance because they had to put the paint on her in layers and wait each time for it to dry. The leash she was attached to on Jabba was twenty foot long and she was occasionally almost strangled by it! For the Special Edition the make up took longer as they were using a different paint that came off more easily. In between takes she could not lie down or move.

4.  During filming, she would have chitchats with Claire Davenport, Anthony Daniels, and Mark Hamill.  Also, possibly something more with Billy Dee Williams.

5.  She volunteered to do her own stunts.  Originally, a stuntwoman was to be painted green, but because she was capable of doing the stunt, body harnesses were to be used.  For the close-up, she would fall to the ground.  From behind, she would jump off a box into the hole and crouch down as the throne was rolled over the hole.  A thing to note was that she hit the side of the trap with her right arm. Fourteen years later, Femi would again perform her own stunts by falling into the recreated Rancor Pit using gymnastics training she took when she was younger.

6.  Richard Marquand pushed for a stronger identity for Oola, who did not have a name in the script and was named during filming.  He originally showed Femi storyboards of Oola escaping, getting captured, and then facing her fate in the Rancor Pit. A large portion of her dance sequence was dropped during editing.  This can be seen in the Lapti Nek music video.  (Footage can still be seen in Youtube). Oola also had some dialogue that was cut out from the film, whilst a scene where Jabba was licking his lips, keenly anticipating her final fate, was apparently toned down by a concerned Lucasfilm during the editing stages.

7. Parts of the original choreography by Anthony Von Last were shown in David Tomblin’s Return of the Ewok film for Warwick Davis, where two other dancers in the movie were given dance roles.  Evidently, more dancers were involved before they decided it would be just Oola dancing.  Evidently, the original choreographer did the dance auditions for Oola (of which Femi found out she won the role when she gave him a ride).  The choreography was handed to Gillian Gregory.

Oola and dance mates in a posed image linked to the Special Editions.

8. Femi Taylor did perform a dance sequence for the Special Edition in front of the other dancers and actors, but the dance was not used due to problems with the head tails slapping her when she did her turns.  She was to twirl, step, and then twirl in the opposite direction.  This can be seen in the MTV Star Wars Special Edition documentary.  Evidently, Lucas did not hire a choreographer this time and suggested the dance to Femi.  Originally, they had her struggle in front of the blue screen and stand up from a kneeling position. Rick McCallum suggested they follow Oola through to the pit.  As a result, they asked Femi to stay longer and built up a re-creation of the Rancor Pit for her to roll down into.



Don't forget, our immense AFICIONADO issue dedicated to the making of JEDI is still available on PDF, here: STAR WARS AFICIONADO ISSUE 14 - THE MAKING OF "RETURN OF THE JEDI"