Showing posts with label NILO RODIS-JAMERO. Show all posts
Showing posts with label NILO RODIS-JAMERO. Show all posts

Wednesday, 14 June 2023

'JEDI' AT 40: ENTERING THE DOMAIN OF JABBA THE HUTT!


The shield door to Jabba's palace has opened and a bold Artoo has trundled forward only to be barred by the intimidating shape of bulky Gamorrean Guards. Soon enough, the Astro Droid and Threepio encounter Jabba's 'Major Domo' in the Twi'lek Bib Fortuna, soon wanting the truth about the droids unusual visit.

A gorgeous scene production painting by Ralph McQuarrie that was effectively used as early publicity for the then Revenge of the Jedi back in late 1982, appearing in numerous sci-fi film mags of the time keen to publicize the eagerly-awaited film.


The sequence as captured in Al Williamson and Carlos Garzon's MARVEL comics adaptation of the film in 1983.


Early concept art for Bib Fortuna by McQuarrie.

Another McQuarrie idea.


Art by Nilo Rodis-Jamero.

Final locked in design by Phil Tippett. Art by Nilo Rodis-Jamero.



Sunday, 21 May 2023

'JEDI' AT 40: INTRODUCING THE GAMORREAN GUARDS!


Dopey but intimidating and powerfully violent when needed, the pig-like Gamorrean Guards, loyal servants and bodyguards to Jabba the Hutt within his palace on Tatooine corner Threepio and Artoo upon the droids entrance into the palace. The creatures were soon a hugely popular monster creation in Return of the Jedi, especially mined for comedy value in the sequence linked to the Rancor pit.


Three of the bulky costumes created for the film in a reference image.

Having been developed by the ILM Creature Shop during 1981, when the lumbering Gamorreans made their first proper appearances on set, director Richard Marquand had specific ideas about the monsters and how they behaved, recalling to Bantha Tracks newsletter in 1983: "I felt that the Pig Guards were totally unintelligent, neo-fascist types. Their dumb attitude to carrying out orders is one level of behaviour. At the same time, we wanted to convey that just as the school bully, you can out-maneuver him if you're smart and he'll turn into a coward. This is what happens in the movie. Also, I thought an interesting characteristic for them to have would be relishing the discomfort of one of their own. To enjoy seeing another Pig Guard being given a hard time. We actually managed to get that into the film." 


Concept art by Ralph McQuarrie.

Another McQuarrie concept.

Art by Nilo Rodis-Jamero.

The creature maquette takes shape.



Scott Farrar watches an ILM test a raw foam mask and costume prototype at the specially activated ILM creature shop in 1981 for Jedi.


A close-up of the bulky feet worn as shoes.


Polaroids of a work in progress head.

A trio of unpainted masks without animatronic mechanisms.

At work on the animatronics, presumably in the UK at Elstree Studios.

Close-up shot of the animatronic head in action within Jabba's Palace.

Behind the scenes studio continuity polaroid of an actor inside the suit, but without the applied large contact lenses.



Sunday, 5 February 2023

'JEDI' AT 40: THE SECOND 'DEATH STAR'!


Like a spider in its complex web waiting to ensnare the odd victim or three, the second iteration of the Death Star battle station resides firmly in orbit above the sanctuary moon of Endor, ready to do the Emperor's evil bidding as he sets in motion his unique trap against the Rebel Alliance. His fully armed and operational satellite will finally be unleashed...


Close-in details of the model.

One of the most important models amongst the one hundred and seventy-five built for Return of the Jedi, here's a visual look at the Death Star II's conceptual art and model building...


An organic looking Death Star in conceptual development.


Early genesis development.


Upside down detailing on the model.

Nilo Rodis-Jamero and Phil Tippett clown around with the model and its clock weapon!

Bill George at work on the model.

ILMer Randi Ottenberg at work on the evolving detailed model.



Lucas inspects he developing space station in the ILM model shop...

... as do Lorne Peterson and producer Howard Kazanjian.



Jeff Mann and Bill George at work on the model.

More incredible detailing.

A proud ILM member with the completed model.

Ray Gilberti with the model on one of the ILM blue screen filming stages.



Thursday, 11 November 2021

AN 'EMPIRE' AT 40: 'HEAR ME, LEIA...'


Perilously close to death, a near-powerless, seriously injured, psychologically broken Luke reaches out into the either of the Force to Leia, as captured in this great ILM storyboard art by Nilo Rodis-Jamero.


Thursday, 2 September 2021

AN 'EMPIRE' AT 40: THE DEPARTURE OF SLAVE 1!

The final preparations for Boba Fett's departure in Slave 1, with his special cargo aboard, begins, in this memorable establishing shot moment on Cloud City achieved with a matte painting that incorporated previous live-action filming accomplished at Elstree Studios.

Live action elements added to the plate.


ILM conceptual art.

Matte Panting genius Harrison Ellenshaw at work on the Slave 1 matte painting.


Note the movie poster for Disney's The Black Hole, the labour of love project for father and son Ellenshaw, which was worked on before Harrison joined Empire

Slave 1 departs the East Platform, and soon receives blaster fire from a desperate Leia and Chewbacca.

Storyboard of departure scene.

The departure as captured in a frame from an original 1980 70mm print of the movie.