Showing posts with label STAR WARS. Show all posts
Showing posts with label STAR WARS. Show all posts
Thursday, 26 May 2016
CLASSIC ART: PRACTITIONER OF EVIL...
Smelling of "linen and lavender", rather than the "foul stench" of evil, was how Carrie Fisher affectionately remembered and described the kind and gentle acting legend Peter Cushing back during May 1976, when she enjoyably worked with the screen icon during Princess Leia and Grand Moff Tarkin's memorable confrontation within the Death Star battle station. One of Britain's finest cinematic exports in the realms of horror and sci-fi, Cushing was a formidable and bankable star name presence as Tarkin in the original STAR WARS, alongside Sir Alec Guinness' heroic older Jedi in Obi-Wan Kenobi- both wonderful in roles completely at the other end of the spectrum.
Mike Mitchell has perfectly captured that presence of evil and cruelty that is Tarkin, and his defining portrayal by Cushing, in the excellent art above, now available here: STAR WARS: Grand Moff Tarkin & Bossk by Mike Mitchell Now Available! – Mondo
STAR WARS AFICIONADO remembers Peter Cushing on his Birthday today!
Wednesday, 25 May 2016
HAPPY THIRTY-NINTH BIRTHDAY, 'STAR WARS'!
"That sci-fi thing" from George Lucas, which virtually had little support with its backers at 20th Century Fox, was causing no end of problems by late 1976 going into 1977: the early trailer had had few ready special effects/opticals within it and would receive a lukewarm response and very few advance bookings from the general US theatre chains it had played to, there was worries that the title might be thought to be about warring Hollywood celebrities, and a return to the science fiction genre was seen as a costly risk, especially after the long term woes of getting profit returns back from Kubrick's 2001. To cap it all off, this film, this STAR WARS, had already been delayed since the previous December, there was to be no press-catching premiere, and by Spring no teaser poster could be figured out to sell it to the wider public, resulting in the wordy, weighty promising example shown above.
Thankfully, a little thing called "word of mouth", coupled together with a truly staggering and marvellous final film, defied all the odds and turned things around BIG TIME from May 25th, 1977...
Release trailer: Star Wars A New Hope 1977 Trailer - YouTube
Of the time footage and the legacy of STAR WARS ahead:
This is what critics thought of Star Wars back in 1977 | ShortList Magazine STAR WARS ORIGINAL TV SPOTS TRAILERS PLUS RECREATIONS 1977 - 1985 - YouTube
Mark Hamill Original Star Wars BBC Interview 1977 - YouTube
17-Minute 1977 'Star Wars' interviews w/ producer Gary Kurtz, Mark Hamill & Carrie Fisher - YouTube
Star Wars ultimate franchise supercut | EW.com
EW's 'Star Wars' Covers Through the Years - See All of EW's 'Star Wars' Covers - EW.com
Star Wars Saga Trailer -The Force Awakens Music - YouTube
http://www.ew.com/article/2016/04/12/star-wars-original-trilogy-alamo
James Corden surprises Chewbacca Mom | EW.com
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| Carrie and Mark fight for the celebration cake fork! |
HAPPY THIRTY-NINTH BIRTHDAY TO THE ORIGINAL 'STAR WARS'
Saturday, 14 May 2016
HAPPY BIRTHDAY, GEORGE LUCAS!
"I think one of the key factors in the success (of STAR WARS) is that it's a positive film. It has heroes, and villains, and that its essentially a fun movie to watch. It's been a long time since people have been able to go to the movies and see a straightforward, wholesome, fun family adventure."
George Lucas - THE MAKING OF 'STAR WARS' (1977)
Words that continue to resonate for every generation discovering the film and the rest of the saga, as we head towards the Fortieth Anniversary next year.
Star Wars archive: George Lucas 1999 interview, Feature | Movies - Empire
STAR WARS AFICIONADO sends its warmest Happy Birthday greetings out to the man who created the saga, and the incredible legacy: George Lucas!
Saturday, 12 December 2015
BACK TO THE FUTURE! 'STAR WARS' IN THE UK - 1977
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| Mark Hamill, Anthony Daniels and Kenny Baker make a STAR WARS promotional spot in Manchester, 1977. |
As THE FORCE AWAKENS debuts onto British cinemas this week, lets remember that exciting, still one-of-a-kind Xmas of 1977 in the UK, when the original STAR WARS made such a stellar, if long overdue, arrival- first in London cinemas then into the suburbs and across the country by early 1978. To say British audiences welcomed it with open arms would be an understatement- the feel good movie of the decade was a genuine tonic for a country suffering political and economic woes, and an amazing new step into the worlds of science fiction and space fantasy, and cinematic storytelling in general, that left everyone beguiled, amused, thrilled and extraordinarily happy!
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| Another shot from the Manchester promotion. |
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| The Hildebrandt poster that was such a fixture on display walls of the London Underground during Xmas 1978. |
1977: when Star Wars hit the UK – in pictures | Film | The Guardian
BBC ON THIS DAY | 27 | 1977: Star Wars fever hits Britain
Star Wars: Episode IV: A New Hope review
BBC NEWS | Entertainment | Barry Norman's Star Wars verdict
1978 - "Star Wars" Makes Cinema History - YouTube
This is how Britain responded to 'Star Wars' in 1977
Star Wars Trailers Part 1: The Original Trilogy | StarWars.com
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| Mark Hamill uses his magic with Miss J. Bridge at a Birmingham Holiday Inn press conference for the film's UK regions release - January 25th, 1978. |
Star Wars debuts in Birmingham, England (25th January UK press call- Hamill, Daniels and Baker, and other generic coverage):
https://www.birminghammail.co.uk/whats-on/film-news/gallery/star-wars-birmingham-1978-10601078
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| The popular UK sci-fi comic 2000AD heralds the film's arrival with its Xmas issue. |
Saturday, 19 October 2013
SIX SO FAR, WITH THREE TO COME...
Helping to get us primed for next years Pinewood Studios filming of the world-anticipated EPISODE VII (and possibly a few other things beside), as well as hopefully introducing new younger audiences seeing it for the the first time, the UK's ITV HD channel are commencing a fresh screening of the STAR WARS SAGA so far, starting today with EPISODE I, at 3pm..
Saturday, 10 August 2013
CLASSIC DESIGN WEEK. PIC ONE - DEATH STAR CHASM
Out in the UK this week is the long-awaited, new nice price edition of the lavish and informative STAR WARS: BLUEPRINTS book by J.W. Rinzler, available from TITAN BOOKS. In celebration of the must-have title, we're having a week-long celebration of some of the six films classic production designs.
Today, we start with one of Production Designer John Barry's impressive sets for STAR WARS, at Elstree Studios in April/May 1976- the Death Star chasm area where Luke and Leia would make movie magic in their famous swing across. This set, like many others for the all-important first movie, were built in a way that they could be cleverly and budget savingly rearranged and set dressed into becoming other parts of the Imperial battle station, like the Tractor Beam and cannon emplacements.
For more on Barry's work on the film, check out our PDF feature from a few years back:
https://docs.google.com/file/d/0B80ITjM31EVRQll0M2hLMXpaSUU/edit?usp=sharing
Note: To see the file in its best quality, download it to your desktop.
Get hold of STAR WARS: BLUEPRINTS here: Star Wars - The Blueprints: Amazon.co.uk: J.W Rinzler: Books
Saturday, 4 May 2013
'MAY THE FOURTH BE WITH YOU!'
Wednesday, 18 July 2012
STAR WARS AT 35: RECORD WARS!
Clashing lightsabers have always been a wonderful visual motif for the STAR WARS saga, and none more so than when used on the covers of enjoyably cheesy records of the late seventies and early eighties like this one, from WONDERLAND RECORDS in 1977, all eagerly cashing in on John Williams classic seminal movie score themes from the original film, alongside a whole plethora of other accompanying genre music from TV and films. It was all a license to print money back them, before LUCASFILM really got its act together and the ground trembled with their copyright infringement lawsuits and withdrawal notices...
For more info, check out this fun blog looking back at classic film and TV albums: Franklin Mint Blog: Wonderland Records: Theme From Star Wars (1977)
Thursday, 19 April 2012
AFICIONADO REVIEW: 'RED HARVEST'
STAR WARS: RED HARVEST
Written by Joe Schreiber
Published in UK paperback and online from ARROW BOOKS
Reviewed by Scott Weller
Before Luke
Skywalker, before Darth Vader, before Yoda, there were zombies!
At least that’s the STAR WARS universe idea relayed through the mind
of the gruesomely descriptive and inventive author Joe Schreiber, as he
unleashes Red Harvest: his latest
unique, gory and reader satisfying tale of horror set within George Lucas’s fantasy
universe that successfully incorporates our twenty-first century’s continuing
fascination with the popular Zombie sub-genre horror and its trappings whilst
also building on what the author had previously explored and established in his
critically acclaimed first hit Expanded Universe gore-fest: Death Troopers.
This time, Schreiber swaps Imperial Stormtroopers for pre-EMPIRE
Sith Lords of 4,000 years past, located within a gothic-style Sith training academy
on the far-off arctic cold ice planet of Odacer-Faustin - what better place for
a zombie infestation of mutation, carnivorous hunger and death to gather its
strength? And it’s Darth Scabrous, the Sith Lord with his own unique and
perverted plans to rule eternal, working in controlled isolation inside his Doctor
Frankenstein-ish laboratory, who ultimately brings this frightening state of
affairs into shocking reality, abducting students for his continuing
experimentation and implementation: the kind of recombient DNA nightmare that
would scare the hell out of your average Midi-chlorians, and creating a deadly
new scenario that not even the obnoxious and competitive, greedy for power Sith
students, located in their several hundred fold, and despite their developing
dark arts Force training, are prepared for. Now, their ruthless in fighting and
dog eats dog mentality become even more disturbing when they are zombie-fied. Indeed,
some of the Sith, obviously recognizing the raw power of the infection, and its
physical power, even want to be infected.
Those Sith-wannabes that survive the onslaught and group together in
the books mid-section soon find their built-in instincts for individual
survival and ambition getting in the way as their infected brothers and sister
close in for the kill. They may not be pretty, but at least you know where you
stand with a zombie!
Intrinsically linked to all the emerging madness and chaos, and keeping
with the horror film genre’s standing current tend for giving us vulnerable but
plucky young heroes, Schreiber delights in putting inexperienced Jedi Agriculturalist
Hestizo Trace in total harms way, when she and her rare Murakami Black orchid,
the ultimate progenitor of the Zombie disease-whom she has a rare gift of
telepathic parley, are plucked forcibly away from her peaceful research
environs and into the greatest and gravest of dangers on the Sith Academy world,
soon fighting to survive within an environment more hostile and horrifying than
any she has ever known, within an enclave full of rundown corridors and off-shoot
buildings built around a large central spire: a perfect primary setting for
this Sith apprentice school nightmare!
Though her Jedi brother, Rojo Trace, is soon hot on her trail, events
quickly spiral out of control and time is running out. Even together, and as
the Sith trainees all become Zombie cannon fodder as the story builds to its
inevitable, tense last survivors finale battle, will their abilities in the
light side of the Force be enough to resist and prevent the oncoming Red
Harvest?
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| US version book cover. |
Schreiber knows how to make the most of his genre crossing and enthusiastically keeps the horror/adventure a well-paced page-turner, increasing his delightful and evocatively macabre vocabulary of slaughter and horror linked to the creatures and their bloody carnage. (At one point bringing memorable new meaning to the words don’t lose your head!). Revealing and exploring more of the contagion’s origins and it's affects on the living Force, the author also finds many ingenious, multitude new ways to kill his (mostly cannon fodder) main characters-whom you don’t really care about just want to expectantly see Zombie-fied, go on a cannibalistic flesh hunt and then get taken out in the bloodiest ways possible! The author also
On the STAR WARS front, references to Schreiber’s obviously
favourite film-THE EMPIRE STRIKES BACK-abound, what with the ice world locale, the
appearance of Bounty Hunters, and some ultimately very unlucky Tauntauns! Other
fine supporting players beyond the Jedi and Sith include a fun to see a
pre-RETURN OF THE JEDI Whiphid bounty hunter and a Sith valet droid with a few
surprises up its sleeves. Continuing a fine SW movie tradition, he even manages
to give the Sith “a bad feeling” about the evil brewing against them!
Percolating its unique blend of George Lucas’s mythic action, fused
with the goriest and bloodiest of horror, the author clearly loves his work
bringing out the Zombie in the STAR WARS Expanded Universe. Overall, I think I
still prefer Death Troopers to Red Harvest, primarily because it had a
more diverse range of more interesting characters, plus the inspired addition
of Han and Chewie, but this new novel is enjoyable enough continuation fare,
and, keeping the same kind of page count as its predecessor, is a quick and
diverting read.
Ok, we've had Jedi and Sith take them on, then Han, Chewie and the
Imperials. Now how about a finale involving Luke, Leia and Vader?
AFICIONADO RATING: An I
was a teenage Sith Zombie-tastic 7.5 out of 10
Friday, 2 December 2011
CLASSIC IMAGE: THE WAR OF THE STARS!
Today's kids and kid-ults have never had it so good with regards to what they can get STAR WARS toys and accessories-wise, but things weren't so bad in 1978, either, with the release of the first of many waves of KENNER/PALITOY figures and the AMC/MECCANO model kits worldwide. I loved that early classic set of 12 figures-some of which can be seen in these French toy adverts- and my childhood was absolutely packed with incredible STAR WARS adventures that tried to match the epic visions seen in the first movie.
Friday, 18 November 2011
MARK HAMILL'S TRIP TO "BLIGHTY"!
Here's a great and very rare UK interview with Mark Hamill, conducted at the Imperial College London from near Xmas 1977, when he did the promotional rounds for STAR WARS London Xmas release (though this interview was obviously intended for screening in early 1978, when the film was eventually released nationwide throughout the country). Hamill proves as enthusiastic and friendly as ever, and there's some lively anecdotes. The presenter has seen the film and does ask some good questions here and there, despite some occasional awkwardness. It's interesting that Hamill was going on from this interview to appear on the UK's BBC 1 children's magazine show BLUE PETER- a show the actor fondly enjoyed watching whilst making STAR WARS at ELSTREE in the summer of 1976.
An interview with Mark Hamill - YouTube
With thanks to MHSAYERS for making this excellent slice of STAR WARS history available to fans via YOUTUBE.
MeTV Network | 13 Mark Hamill television roles before 'Star Wars'
With thanks to Ian Trussler for the late 1977 image of Mark as Luke.
An interview with Mark Hamill - YouTube
With thanks to MHSAYERS for making this excellent slice of STAR WARS history available to fans via YOUTUBE.
MeTV Network | 13 Mark Hamill television roles before 'Star Wars'
With thanks to Ian Trussler for the late 1977 image of Mark as Luke.
Friday, 7 October 2011
CLASSIC IMAGE: STOP AND SEARCH!
From those halcyon 1977 days, when CGI Ronto beasts and annoying patrol seeker droids didn't come into shot and spoil the drama, here's the great scene-an out-take image rather than the one you normally see in publicity photos of the time- when the Imperial checkpoint at Mos Eisley stop our small band of heroes and question them about their droids.
Thankfully, old hermit/Jedi Knight Ben Kenobi has a few Force tricks up his sleevies to quickly sort this problem out!
Wednesday, 5 October 2011
BEHIND THE SCENES IMAGE: GREEDO IN PIECES!
A LUCASFILM reference image of the distinctive head and hands for the doomed Rodian bounty hunter Greedo, created from the skills of two behind the scenes legends: the UK's Stuart Freeborn in 1976 for STAR WARS, and the US monster maker Rick Baker, who revised the original mask for improved facial movement in additional re-shoot scenes needed by George Lucas in January 1977.
Saturday, 1 October 2011
BEHIND THE SCENES: ONCE UPON A PIRATE...
Some intriguing early 1974-1975 (?) character evolving conceptions from visionary Ralph McQuarrie of the legend to be space pilot/smuggler, Han Solo, for the original STAR WARS.
Sunday, 25 September 2011
AFICIONADO ARCHIVE: "REBEL MISSION TO ORD MANTELL"
Join AFICIONADO's ARCHIVE section as we take a trip back in time to Brian Daley's classic story with our Original Trilogy heroes, set between Episodes V and VI: REBEL MISSION TO ORD MANTELL!
http://www.keepandshare.com/doc/3161012/ord-mantell-design-pdf-september-25-2011-3-41-pm-241k?dn=y
Saturday, 24 September 2011
AL LAMPERT REMEMBERS " STAR WARS"
In one of the halls of the snared Blockade Runner, Darth Vader, with the equally ruthless Imperial Commander, Daine Jir, alongside him, confronts the captured Princess Leia about her associations with the Rebel Alliance and the location of its secret base.
Being one of the only Imperial commanders able to talk back to Vader in the Original Trilogy without get strangled to death, the role of Jir was played by British actor Al Lampert. Earlier this year, Ian Trussler got the chance to meet Mister Lampert and discovered some great behind the scenes material from him.
Here’s what he found out…
Al originally met with George Lucas alone for consideration for a part in the movie. It was at the 20th Century Fox offices in London. No one else was there-it just the two of them. He was not told about any specific part he was up for it was a general audition for whatever roles Lucas felt you may be suitable for.
Around the same time he went up for a part in A Bridge Too Far and ended up being offered both films and turned down ABTF for Star Wars, mainly because ABTF was working in Belgium in the mud, which he didn’t fancy even though the role was bigger and more weeks work.
He accepted a generic role of an Imperial Officer from Lucas so he didn't actually know that he would be playing Daine Jir. In fact on set the part of Daine Jir had actually been given to an actor called Ken Hutchison (maybe Hutchinson) but when he arrived at ELSTREE he had a beard and Lucas told him "No Beards", presumably Hutchison would not shave it off, and Lucas then gave the role of Jir to Al.
Al went to drama school with Jeremy Bulloch but has not seen him since those days, they have never actually done a show at the same time.
He gives all his signing money to charity, which is really nice of him, I thought. He is currently writing a sci-fi screenplay, which he hopes to finish soon, and has been working on for years.
Up until a couple of years ago when he did his first ever show which was LFCC I think he had no idea that cons and signing were going on and SW actors had so much interest. He has done a few shows abroad and enjoys them, and he told me of a tour he had in America of a massive fan collection which sounded like he had been to Ranch Obi Wan, I said Steve Sansweet’s name and he sort of recognized it.
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| Lampert, as he appeared in the Space: 1999 two-parter, The Bringers of Wonder. Image: ITC/ITV Studios. |
Back in 2007, I also got the chance to meet Al and can re-confirm what a really nice guy he is. When asked why it had then taken him so long to attend a convention, he simply replied that he had never been asked! As far as he was aware, all of his scenes filmed were in the final movie and nothing was cut, his part in STAR WARS having been just after he had competed work on SPACE:1999’s Season Two story “The Bringers of Wonder”. Lampert was aware of the time pressure to try and finish the first STAR WARS movie, recalled the slightly flimsy Blockade Runner corridor set, and the time when George Lucas had to pull the plug on the shoot when they run out of off money. Even at that point in the films genesis, it had certainly not been finished in Lucas’s eyes.
Friday, 23 September 2011
CLASSIC IMAGE: THE NEW GUNNER...
There's no time to lose for young Luke Skywalker as he makes his way to one of the Millennium Falcon gun ports, as the ship prepares to encounter four lethal TIE fighter sentry ships gaining ground for an intercept and attack course.
Thursday, 8 September 2011
BEHIND THE SCENES IMAGE: REBEL COUNTER-ATTACK!
In this great 1975 early storyboard by THE GODFATHER's US production artist Alex Tavoularis, brave Rebel soldiers, guns blazing, try to fend off attacks by Imperial Stormtroopers on the Blockade Runner, in the opening scenes of THE STAR WARS.
Saturday, 3 September 2011
BEHIND THE SCENES: CANTINA CLOWNING!
Stop motion/monster maker whizz-kids Jon Berg (left) and an almost Jedi robed, shades wearing Phil Tippett (right) have fun with a Hammerhead in the small alcove set built during January 1977's additional shooting period in Los Angeles featuring additional Rick Baker created monsters for quick insertion into the original STAR WARS. According to STARWARS.COM, Berg would go onto play both Durosian aliens in the film and a member of the Cantina Band (joining Tippett, who was also one of the restrictive mask wearing, music making aliens).
The MOVIES.COM website recently chatted to Phil Tippett here: Brilliant Effects Master Phil Tippett Sheds Some Light on George Lucas' 'Star Wars'-Tinkering Mind | Movie News | Movies.com
Wednesday, 31 August 2011
BLU-RAY NEWS UPDATE...
Here's the cover for the latest issue, out now, of the UK's SCI FI NOW magazine, devoted to STAR WARS and the Blu-rays. We hope that its promised "first look" at the Blu-rays is actually comprehensive and not full of material we already know about. I'm intrigued to see if they've actually and fully seen the films in the new format and will talk about the apparently "re-revised" Original Trilogy changes that are said to have taken place...
A link to the magazine, which also contains an interview with FX genius Phil Tippett:
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