Showing posts with label MARVEL COMICS. Show all posts
Showing posts with label MARVEL COMICS. Show all posts

Sunday, 12 April 2026

CLASSIC ART: THE WEEKLY ADVENTURES CONTINUE...


Our heroes assemble for the climactic action/adventure chapter of the Original Trilogy, as the dominant evil of Darth Vader looms large, in this lovely art I hadn't previously seen before that graced one of the later issues of the MARVEL UK's Return of the Jedi weekly comic back in May 1985, before the saga went fully into limbo. If anyone knows the artist/s of the piece, please let me know, though I suspect Tom Palmer's work on the faces of Lando and Chewbacca.

And does anyone out there still have the free Ewok transfers?


Monday, 15 December 2025

CLASSIC IMAGE: DISABLING THE BLOCKADE RUNNER!


The dreaded Star Destroyer Devastator has swiftly caught up with its Rebel Alliance prey over the far-off world of Tatooine, as its heavy weapons array soon outclasses and disables the fast but less well shielded diplomatic marked Blockade Runner and its vital solar fin.

A hit!

The opening scene as brilliantly rendered by Howard Chaykin for the first issue of Marvel's comic adaptation, from 1976.



Tuesday, 30 September 2025

AN 'EMPIRE' AT 45: THE DUEL BEGINS!


The moment has finally come for Luke Skywalker to face his demon, as personified by the brutal presence in the Dark Side of the Force that is his nemesis, Darth Vader, the man/creature who helped wipe the Jedi Knights out of existence and whom supposedly killed his father. This duel will not just be a test of Luke's skill, but also his character, physical and psychological strengths. He'll need all of that not just to stay alive against such an experienced and lethal duellist, but also for the disturbing and shocking revelation that the Sith Lord will impart to him at the worst possible time...

Superb Marvel Comics art by the legendary Daredevil writer/artist Frank Miller back in 1980, celebrating one of the The Empire Strikes Back's greatest and most intense-to-watch sequences.


Saturday, 23 December 2023

'JEDI' AT 40: A JEDI REDEEMED...


The faith that Luke Skywalker had in his father Anakin, that he could indeed be turned back to the good side of the Force, ultimately pays off, with the late Darth Vader's destroying of the cruel Emperor Palpatine leading to the former Jedi's deserved redemption, alongside Anakin's happy reuniting with his once friend Obi-Wan Kenobi and Master Yoda within the netherworld of the Force.

A lovely art pin-up piece for the Marvel adaptation of Return of the Jedi from 1983, by one of the modern comic era's greatest artists', Bill Sienkiewicz.



Tuesday, 5 December 2023

EPISODE I: WHAT HAPPENS ON TATOOINE...

All cover arts by Timothy Bradstreet.

The Phantom Menace's critics may often have complained that the film didn't have much plot for our main heroes to be involved in, but the drama taking place on Tatooine with our stranded heroes looking for a hyperdrive generator, and the introduction of Anakin, would open the doors to exciting side story potential that would be adeptly explored in comics via a special one-shoot, four-issue set of Dark Horse Comics. 

Released in Summer 1999, each separately showcased Queen Amidala, Qui-Gon Jinn, Obi-Wan Kenobi and Anakin Skywalker in some impressive work filling in the story gaps on the aforementioned desert planet, executed by a fine team of writers (including Ryder Windham and Henry Gilroy) and artists (including Martin Egeland and Steve Crespo). It's no surprise to me that the series was so well received by fans and later reprinted as part of Disney's Expanded Universe merchandise, via Marvel Comics.
 

Original Dark Horse Comic cover that would be re-used by Marvel.






A fifth mini-story also appeared exclusively for Wizard magazine.


Friday, 18 August 2023

'JEDI' AT 40: DELIVERING MASTER LUKE'S MESSAGE!



As an impatient Jabba the Hutt and his monstrous entourage looks towards them, Threepio has Artoo play the special message to the crime lord from Luke Skywalker - Jedi Knight and friend to Captain Solo. Jabba is surprised to see a Jedi Knight, but is ultimately not impressed with him, refusing to give up his favourite wall decoration in Solo's carbonite form. On a more shocking note, Threepio discovers that Master Luke has given him and Artoo away to Jabba as an offered gift of service!



Luke's hologram message was filmed at then end of shooting at Elstree Studios. For some reason, the footage was shown in flipped form-note Mark Hamill's reversed hair style.

Conceptual art by Joe Johnston for Luke's hologram message scene at Jabba's Palace.

The sequence as captured in the film's Marvel Comics adaptation - art by Al Williamson and Carlos Garzon.

A busy time between scenes on the palace throne room set at Elstree.

On a packed set full of technicians and industry related visitors, the message scene is filmed with multiple cameras - January, 1982.

Alec Mills handles the cinematography as several stills photographers take images from floor level.



Wednesday, 14 June 2023

'JEDI' AT 40: ENTERING THE DOMAIN OF JABBA THE HUTT!


The shield door to Jabba's palace has opened and a bold Artoo has trundled forward only to be barred by the intimidating shape of bulky Gamorrean Guards. Soon enough, the Astro Droid and Threepio encounter Jabba's 'Major Domo' in the Twi'lek Bib Fortuna, soon wanting the truth about the droids unusual visit.

A gorgeous scene production painting by Ralph McQuarrie that was effectively used as early publicity for the then Revenge of the Jedi back in late 1982, appearing in numerous sci-fi film mags of the time keen to publicize the eagerly-awaited film.


The sequence as captured in Al Williamson and Carlos Garzon's MARVEL comics adaptation of the film in 1983.


Early concept art for Bib Fortuna by McQuarrie.

Another McQuarrie idea.


Art by Nilo Rodis-Jamero.

Final locked in design by Phil Tippett. Art by Nilo Rodis-Jamero.



Tuesday, 9 May 2023

'JEDI' AT 40: AT THE PALACE GATES!


"We'd better knock, I suppose..."

Now arrived at Jabba's Palace main shield door entrance, Threepio's attempts to escape their upcoming visitation predicament come to now avail. After communicating with a strange droid communications probe, the two are soon given access to the interior, with the bold Artoo Detoo striding into the unknown first...

Threepio talks Huttese to the palace gate keeper!

The sequence would be filmed around the 12th and 13th January, 1982 at Elstree Studios (of which the set was constructed directly in the middle of Stage 6), supervised and directed by Richard Marquand. Only the remote controlled Artoo would be used during this filming.


The droids on set at Elstree Studios.

Knocking on the door, watched by the crew.

Principal Threepio Costume/Prop Assistant Toby Lofthouse helps Anthony Daniels on set as filming continues, captured in continuity polaroid.


"We'd better go!" Too late for Threepio, the stronghold door is already ascending...

Artoo takes the initiative.




Wide shot enhancement with ILM matte painting. Image via Ben Ageros Collection.


The scene as captured in the MARVEL Comics adaptation of 1983. Art by Al Williamson and Carlos Garzon.


Friday, 31 March 2023

DELETED SCENE: VISITING HOURS!



Recovering well from his near-death ordeal against both the Wampa beast and the natural elements of the Hoth wilderness, Luke Skywalker's post-ordeal stay in the Rebel Medical Centre is further boosted by the appearance of a concerned but wellness-wishing Princess Leia. Soon their attentions turn to the future, as well as a potential kiss...

A deleted scene from The Empire Strikes Back that thankfully was resurrected onto Blu-ray release in 2011. 


The deleted beginning of the sequence, as captured by Al Williamson and Carlos Garzon for the Marvel adaptation of the film.


Thursday, 23 March 2023

COMING MAY 25TH, 2023: 'RETURN OF THE JEDI - A COLLECTOR'S CLASSIC BOARD BOOK'


Abrams Books is stylishly getting into the celebratory spirit for Return of the Jedi's Fortieth Anniversary this year, with a lovely venture that takes Al Williamson's epic Marvel Comics adaptation art from 1983 to a new level of enjoyment, especially for younger age readers...

The official release info: 

An epic retelling of Return of the Jedi for Star Wars fans of all ages, with classic art from comics icon Al Williamson.

Experience the original movie like never before! Follow the adventures of favourite characters during some of the most memorable moments in Stra Wars history: from Luke Skywalker, Princess Leia, and Han Solo's escape from Jabba the Hutt; to Luke's showdown with Darth Vader; to the climactic Battle of Endor, where the fate of the galaxy hangs in the balance.

With art from comics legend Al Williamson, gatefolds, and a cinematic feel, this collector's board book is the perfect gift no matter your generation, for both lifelong Star Wars fans and the littlest Padawans.

Wednesday, 22 March 2023

'JEDI' AT 40: MISTER MOTIVATOR COMES TO THE DEATH STAR!

Darth Vader confers with Moff Jerjerrod in a specially posed publicity image.

Darth Vader immediately makes his mark on the Imperial officers with his arrival at the second Death Star, as a shocked and surprised Moff Jerjerrod (Michael Pennington, brilliantly dropping his 'adam's apple' early on) realises that the station's construction must be put back on schedule at all costs, especially so with Vader's news that the Emperor himself is on his way to inspect the ultimate weapon in the not too distant future...


Another specially posed image - note that Vader and Jerjerrod are walking in the opposite direction to what was seen in the film, as the immense hangar set was only half built from one side.

The Emperor is coming to the Death Star! A great posed image, of which a similar B/W would be adapted for use in the Marvel comics adaptation of the film.


Al Williamson and Carlos Garzon's artwork for the scene in the 1983 Marvel adaptation, which primarily adapted publicity stills. 

B/W outtake from the famous Vader publicity shoot used for the film's magazines/tie-in's and merchandise.

Having had a superb time working with director Irvin Kershner on The Empire Strikes Back in developing the 'thinking man's Darth Vader', actor/body builder Dave Prowse's return to the Star Wars filming universe from February 18th and 19th, then in and out towards April, 1982, is sadly not so welcoming by the new production team regime, as his scenes playing the character are scaled back primarily to posed publicity images and walking/conversation sequences on the second Death Star's key sets whilst stuntman Bob Anderson (having previously played Vader to great success in action scenes for TESB) becomes the primary actor to play the role for the film's showpiece lightsaber duel sequence, and its key dialogue sequences linked to Luke and the Emperor. Not enjoying working with new director Richard Marquand (who largely ignores the actor and any suggested input from Prowse), not allowed to see the film's entire script (indeed, with the total secrecy surrounding the project, Prowse is often given fake lines to say as Vader that will be replaced with the real ones spoken by James Earl Jones during 1983 post production), and overall feeling untrusted - regarded as a security leak due to his friendly and enthusiastic connections with the Star Wars fan base, as well as a then mostly positive relationship with the British press - it's no wonder that the actor would go on to famously consider his brief time spent on Return of the Jedi as the most unpleasant experience he'd ever had on a film set. But worse is still to come, and in the most unfair of ways, for Prowse at Elstree in the not too distant future...

Continuity polaroid of Michael Pennington and Dave Prowse on the hangar set - February, 1982.

Enthused and ambitious British director Richard Marquand is keen to continue using the best and brightest of the British acting community's talent on the film, even using/recommending friends he'd previously worked with or known whilst he himself had briefly been in the acting profession during the late sixties and early seventies. Acclaimed British Casting Director Mary Selway Buckley would be on hand to equally advise Marquand. Michael Pennington was once such popular stage actor that Marquand was keen to use for an Imperial, especially in the role of the nervy but loyal Moff Jerjerrod. Across the period of filming, Pennington's on-set stand-in was Jack Dearlove, whilst Dave Prowse's was Roy Emerson.


Michael Pennington in a posed publicity image as Moff Jerjerrod.

In the original drafts, Jerjerrod's character was to have had a much more expanded role as a rival to Darth Vader in the Emperor's eyes - picking up where Vader failed in trying to capture Luke. He was, in effect, the Emperor's Counsel (and Vader would have to salute him!). As a result, Vader was to be very jealous of Jerjerrod. The ambitious Moff was also not supposed to be quite as nervous and cowardly as he ended up being during the beginning of the final film. In fact, he mouthed off to Vader quite a few times and there was always an air of competition between the two. In the final draft, however, Jerjerrod's role was reduced and even more so when the eventual final cut of the film was released. It is widely believed that Jerjerrod wears the wrong rank badge due to a "blooper" during production on ROTJ, as claimed, for instance, at the Star Wars Technical Commentaries fan website. However, there seems to be no direct proof supporting this, and Jerjerrod's insignia need not, in fact, be inappropriate for his rank.

The expansive Death Star hangar set primarily built as a one half side only set located on the prestigious Star Wars Stage at Elstree would house a specially built (from ILM design plans) partial replica of the superb Imperial Shuttle set. More on that, behind the scenes-wise, with the later arrival of the Emperor...