Monday, 12 May 2014
POWERING UP! THE LATEST 'STAR WARS' SEQUEL NEWS...
Before the start of principal photography on EPISODE VII, allegedly this week, there's just time to add some further related news stories...
'Star Wars' sequel lands working title? | PopWatch | EW.com
Star Wars: Episode VII: Harrison Ford and Han Solo bury the lightsaber | Inside Movies | EW.com
Oscar Isaac Talks Star Wars 7 Casting - Yahoo Movies UK
Star Wars Episode VII filming to start in Abu Dhabi desert on May 13 | The National
Carrie Fisher Lost 40 Pounds for New Star Wars Movie: She Looks Terrific, Says Mom Debbie Reynolds | E! Online UK
Wedge Antilles Actor Says He Passed On 'Star Wars 7,' Lando Calrissian Appears In 'Star Wars Rebels' As Consolation Prize |The Playlist
Sunday, 11 May 2014
LAUNCHING THE LEGEND. PIC FOUR: 'THE PHANTOM MENACE' 1997
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| "Good luck everybody. Now lets kick some ass!" Rick McCallum snaps the clapperboard to EPISODE I's filming. |
In the run up to commencement of EPISODE VII's PINEWOOD STUDIOS principal photography, apparently slated for May 14th, 2014, STAR WARS AFICIONADO presents a key image from the first days shooting of the previous six films of the saga.
June 26th, 1997. With the Original Trilogy completed and satisfying audience expectations by May 1983, STAR WARS fans would have a very long wait for the technological capabilities of the special effects industry to catch up with George Lucas's dreams and ambitions for his history-revealing Prequel Universe. By 1997, and the release of the souped up STAR WARS TRILOGY: SPECIAL EDITIONS packed with new CGI creatures and environments bolstering and recapturing his enthusiasm, along with sustained box office profits (combined with a massive merchandise tie-in deal with BURGER KING/PEPSI-COLA), the long-promised three-film saga showing the rise of the Empire and the fall of a Republic, that would gradually lead into the events of STAR WARS: A NEW HOPE, could finally, excitedly, begin.
After years of conceptual art planning, animatics and story formulating, Lucas, with his new long-time producer Rick McCallum, was ready, as were the spirited and excited new international cast and crew assembled, as the UK's Leavesden Studios facility became home to intense and pioneering STAR WARS production with EPISODE I, then with the working title of The Beginning. No ambitious, time-consuming action scenes would be tackled on the first day, however-instead there would be a key scene introducing the new series deadliest super-baddies, specifically the return of Ian McDiarmid as everyone's favourite malevolence, now at a time before becoming The Emperor, and referred to here by his Sith Lord title of Darth Sidious, conferring with his new protege: the lightsaber duelling, Jedi killing nemesis that is Darth Maul, played by stuntman Ray Park. From the night-time balcony of Senator Palpatine's luxurious office apartment on Coruscant, the duo's plans for the domination of the Republic will secretly begin.
The Phantom Menace has emerged...
SPECIAL EDITION CLASSIC IMAGE: IMPERIAL TAXI SERVICE!
His attempts to turn Luke over to the Dark Side seemingly failed (for the time being at least), Darth Vader (here played by then ILMer C. Andrew Nelson) and a small entourage make their way back to the Imperial Shuttle, in an extra love-it or hate-it scene added to THE EMPIRE STRIKES BACK: SPECIAL EDITION in 1997 that was designed to show us more visual imagery of Cloud City. Certainly, the loss of James Earl Jones excellently delivered line of anger: "Bring my shuttle!" was a casualty of the re-jigged scene that fans particularly noticed.
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| Storyboard for new scene insertion. |
Later HAN SOLO movie director Chris Miller played one of the required 5'11 escort Stormtroopers, after a ILM casting call of which he was briefly working for the company as a young intern.
Saturday, 10 May 2014
LAUNCHING THE LEGEND. PIC THREE: 'RETURN OF THE JEDI' 1982
In the run up to commencement of EPISODE VII's PINEWOOD STUDIOS principal photography, apparently slated for May 14, 2014, STAR WARS AFICIONADO presents a key image from the first day's shootings of the previous six films of the saga.
January 11th, 1982. Deciding to do a challenging scene first so as to prove to George Lucas and producer Howard Kazanjian that he can stay on schedule and budget, newcomer to blockbuster directing Richard Marquand opens up the four-month long UK filming of REVENGE OF THE JEDI on a memorable note: a Tatooine sandstorm sequence featuring the last appearance of the specially built prop Millennium Falcon that, in an environment with huge fan controlled dust particles flying everywhere, proves difficult for the returning, bittersweet main cast reunion to act in. The scene is indeed completed on time and budget, but ultimately proves unrewarding- quickly becoming one of the earliest deleted scene casualties of the film's eventual editing.
As fans wait with baited breath for news on the filming of the concluding chapter of the Classic Trilogy, keen to discover the ultimate fates of now iconic heroes and villains after the cliffhanger to THE EMPIRE STRIKES BACK, a telex is sent out by LUCASFILM informing the world's press that principal photography is now underway...
CLASSIC IMAGE: RIDERS OF THE SKY!
In a top of the line airspeeder, Anakin and Obi-Wan continue their hot pursuit of the mysterious bounty hunter whose lethal mission to kill Padme they've only just foiled, in a lively scene set in the packed skylanes of Corsucant, from EPISODE II.
Friday, 9 May 2014
LAUNCHING THE LEGEND. PIC TWO: 'THE EMPIRE STRIKES BACK' 1979
In the run up to commencement of EPISODE VII's PINEWOOD STUDIOS principal photography, apparently slated for May 14th, 2014, STAR WARS AFICIONADO presents a key image from the first day's shootings of the previous six films of the saga.
March 5th, 1979. An earlier sent telex from George Lucas wishing the cast and crew of THE EMPIRE STRIKES BACK good luck wasn't quite enough in protecting them from, at that time, one of the worst winters that Norway had ever encountered. Arriving at the solitary hotel at Finse, near the vital and stunningly visual Hardanger Jokulen glacier, the small troop (including Mark Hamill, Denis Lawson and Carrie Fisher, the latter there with a girlfriend- just for the location fun of it all!) were soon stranded in their hotel by an avalanche, resulting in director Irvin Kershner's early scenes filming an injured Luke Skywalker desperately traversing the deadly environs of Hoth literally being achieved just a few short steps outside the establishment.
Like STAR WARS troubled filming in Tunisia four years before, equipment problems to cameras and effects instruments persisted- this time due to the intense cold, whilst whiteouts and frostbite would bring their challenges and hardships to the human condition. But all these factors would ultimately be considered good omens by the time the film arrived in cinemas by May 1980.
'TEMPLE OF DOOM' AT 30: FUSION OF DARKNESS!
Another great poster for 1984's Indy "heart of darkness" adventure, loaded with clasisc scene imagery and characters around the great man himself, ready with sword and whip for the approaching evil.
It's a piece of art that I don't ever recall seeing before, so if anyone has any more info on it please get in touch...
Thursday, 8 May 2014
LAUNCHING THE LEGEND. PIC ONE: 'STAR WARS' 1976
In the run up to commencement of EPISODE VII's PINEWOOD STUDIOS principal photography, apparently slated for May 14th 2014, STAR WARS AFICIONADO presents a key image from the first day's shootings of the previous six films of the saga.
March 22nd, 1976. The first day of filming for THE STAR WARS begins in the Tozeur salt flats at Nefta, Tunisia, for scenes of the Jawa droid sale outside the Lars Homestead moisture farm. John Barry's advance built sets and set dressings, plus the enormous bottom section of the Jawa Sandcrawler scaffold prop make an impression on cast, crew and local helpers, whilst the first proper unveiled appearance of Anthony Daniels within the golden See-Threepio suit proves painful for the actor. Luke Starkiller, cast late in the day with Mark Hamill, has now become Luke Skywalker, part of a main cast and Jawa extras (including producer Gary Kurtz's two children and Jack Purvis as their leader) that prove excellent, but the technical problems, especially the droids and other practical effects developed by John Stears- some of which are new and experimental- cause delays and headaches to an already tense writer/director George Lucas.
Right from this first day, on what will be a unique project, the filming is over-schedule, of which further tense times lay ahead...
ILM CLASSIC IMAGE: BATTLE IN THE SNOW
Like David versus Goliath, the Rebel Snowspeeders valiantly charge into action against the formidable, threatening presence of the Imperial AT-AT Walkers, in this wonderful 1979 ILM storyboard by Nilo Rodis-Jamero for THE EMPIRE STRIKES BACK, part of an incredible 1,200 art pieces (many never before seen) compiled by "The Godfather" of STAR WARS behind the scenes history- J.W Rinzler- for the lavish STAR WARS STORYBOARDS: THE ORIGINAL TRILOGY, published by Abrams Books, out this month in the US, and from June 1st in the UK.
Evocative trailer: Star Wars Storyboards: The Original Trilogy - Book Trailer - YouTube
Original 'Star Wars' Storyboards Reveal Lost Obi-Wan Kenobi Scene, Early Leia Look
Check out R2-D2's bizarre propeller head in 13 original Star Wars storyboards | Blastr
The Art of Star Wars: Storyboard Secrets of the Original Trilogy - Esquire
Get hold of the book here: Star Wars Storyboards: The Original Trilogy: Amazon.co.uk: J.W. Rinzler: Books
Look for the AFICIONADO review in the not too distant future...
RETURN TO TERROR! ALAN DEAN FOSTER's 'ALIENS' - BACK IN PRINT
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| The Giger factor! The Xenomorphs are unleashed in ALIENS. Image: TITAN BOOKS. |
She thought the nightmare was over, but warrant officer Ellen Ripley, last survivor of the destroyed commercial tow Nostromo, awakens from a malfunctioning cryosleep to discover a changed universe and the unwelcome return of the Xenomorph threat-this time in legion form- on the planet LV-426, home to the immense "derelict" craft she and her once crew previously encountered in deep space, now inhabited by a terraforming colony run by the insidious and all-corrupting Weyland Yutani- "The Company"- who will stop at nothing to procure the Alien species for their own twisted ambitions and growing power base. Alongside a squad of hard-bitten, top colonial marines believing themselves experienced and powerful enough to neutralise the threat, Ripley, in order to conquer her own personal demons and help rescue the colonists, has no choice but to return to the world that has spawned such organic terrors- but can even she prepare herself for the horrors and ordeals that lay ahead?
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| In the lair of evil: Ripley (Sigourney Weaver) and Newt (Carrie Henn). |
ALIEN had been such an incredible smash-hit back in 1979 that there was no way that 20th CENTURY FOX weren't going to do a sequel at some point. Fortunately, despite the departure of Ridley Scott, who had put such an incredible and unique stamp on the first film, writer/producers Gordon Carroll, Walter Hill and David Giler were able to hire a new talent and inspiring film-maker in his own right to tackle part two- a person just starting out in his career as Scott had done eight years before, and with a low budget sci-fi epic that had just hit the big-time on the cult circuit: THE TERMINATOR- yes, the now iconic James Cameron, bringing his love of technology, weapons and warfare to the saga with this brilliantly made, tense and genuinely exciting horror/action/ sci-fi confectionery which would also be a genuinely worthy successor and vital continuance to the ALIEN franchise, featuring an Academy Award nominated performance for Sigourney Weaver as Ripley, who gets to show her maternal side in between operating flamethrowers and bazookas!
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| A new threat appears with the Alien Queen. |
In book form, Alan Dean Foster returns to adapt the saga, and manages to build on the great work he did transforming the original film. That time, he likely had only the original script and no reference photos of the Alien to work with, which, turned into a positive, allowed him to build up the claustrophobia and sweat-inducing tensions on the Nostromo. Now, with the original's passing, he knows the creatures and the character of the fascinating heroine opposing them, giving us a richer, deeper and even more exciting book than the first one, of which he build on certain plot elements and smoothes over any possible potential plot/continuity inconsistencies. There's also several new facets added to the Xenomorphs themselves: we find out out that they have a "stinger" ability that can paralyse their victims, and, alongside the impressive and scary new evolution that is the Alien Queen, Dean Foster introduces smaller versions of the original aliens- Drones- to assist her vile pod laying. Additionally rewarding to readers during this ones original release is the fact that, with no such thing as the ALIENS: SPECIAL EDITION version at that point, this sprightly adaptation keeps all of the original deleted scenes intact within its pages-not forced out like they were in the 1986 theatrical cut (requested of Cameron by FOX in order to keep a two hour running time at cinemas and keep the box office profits flowing), giving us our first taster of the superb sequences that would eventually resurface (more on Ripley's late daughter, the colonists discovery of the decayed alien derelict and the final demise of the loathsome Company man Carter Burke being notable standouts).
TITAN BOOKS 2014 reprinting of the Alan Dean Foster ALIEN novels, alongside up and coming new materials linking it all into one disturbing, evolving gestalt, has proved a welcome move, especially in the run up to the eventual continuation of the series in prequel form with PROMETHEUS 2, likely due around 2016.
Get hold of the book here: Aliens: The Official Movie Novelization: Amazon.co.uk: Alan Dean Foster: Books
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