Saturday, 25 December 2021

'MERRY CHRISTMAS!' (2021)

 


The Christmas Holidays mixed with the original Star Wars saga characters always make for a successful combination - an earliest success being with Artoo and Threepio getting into the holiday spirit with none other than Santa Claus himself, as seen in this great art by Ralph McQuarrie for the memorable Christmas in the Stars - The Original Star Wars Christmas Album, first released by Meco/RSO records sometime in November, 1980.


STAR WARS AFICIONADO wishes all its worldwide readers a safe, happy and very MERRY CHRISTMAS and 2022! 

Friday, 24 December 2021

AN 'EMPIRE' AT 40: ENDING THE CELEBRATION!

Another striking production painting from Ralph McQuarrie, of our heroes bidding farewell to the Falcon.

It's certainly been a busy, epic year and a half in the making, but we hope you've enjoyed STAR WARS AFICIONADO's truly exhaustive Fortieth Anniversary coverage of a very special film: The Empire Strikes Back.

Thumbnails work for the production painting.

AN 'EMPIRE' AT 40: INTO THE STARS!


Flanked by escort fighters. the Medical Frigate and the rest of the small Rebel fleet heads off into the stars, as new destinies await our heroes for the May 1980 title announced Episode VI: Revenge of the Jedi...

The long shot of the cast looking out into space as the Frigate turns away from camera was filmed at Elstree Studios and rear projected onto a window of the ILM built model ship in post production. UK effects director Brian Johnson would do similar shots with the pilots housed in their Eagle craft for the hit TV series, Space:1999.


Joe Johnston storyboard for an ILM revised effects shot from March 1980, handled all too close to the film's release.

Thursday, 23 December 2021

AN 'EMPIRE' AT 40: MAY THE FORCE BE WITH THEM....

Goodbye for now...

"I'm really excited about it because I think 'Empire' is better than 'Star Wars', People assume that I'm paid to say that. But what I mean is not so much better, but the story is so justifiable. I can't wait for the audience to be the jury on 'Empire' because, as before, it doesn't matter what the critics say, It's the people who go and see it. It's a perfect summer movie. I'm really excited about it. I can't wait to get onto the next one. It's a lot of fun."

Mark Hamill - Questor magazine - 1980

"First of all, I want to know what happens next and secondly, I think it's all getting more interesting. Now the STORY is emerging and people's perceptions about the characters will have to change. Like Ben Kenobi being the symbol of purity and righteousness. Well, in Empire, if he wasn't lying, he at least wasn't being 100% truthful, and I think all that is interesting. Whether audiences will agree I don't know yet. I think it's a gamble, because people may be expecting the same kind of phenomenon that he had with the first one. The kids went back to Star Wars again and again, because it always delivered that same feeling of exultation - it was very triumphant and very optimistic – but Empire is really downbeat and it raises so many questions and worries. But I think it's great we're taking this gamble…"

Mark Hamill - Starburst Magazine - 1980

“'Star Wars' was basically a “let’s get Darth Vader” storyline, all action and little dialogue. The Empire has romance, minor tragedies and characters working more off each other. Sure, it’s a fairy tale, just like the first, but it has an additional dimension.” 

Carrie Fisher - TIME magazine, May 19th, 1980

“I figure that there were at least $11 worth of entertainment in EMPIRE. So if you paid four bucks and didn’t get an ending, you’re still seven dollars ahead of the game."

Harrison Ford - The Making of Return of the Jedi book - 1982

EPISODE IX: A LEGACY IN THE SAND!


Making her first visit to the former nexus point of the early Star Wars saga, the fully Jedi trained Rey makes a safe, secret place for the remnants of the Skywalker legacy, whilst equally of importance discovering a new home for herself, in this memorable and subtly moving finale moment to The Rise of Skywalker.

Wednesday, 22 December 2021

THE CLONE WARS: NO ANGER MANAGEMENT!



His robot hand devastated having destroyed the Techno Union's cataclysmic-potential siphon generators, Anakin Skywalker goes on a destructive rampage against the cruel Wat Tambor and his cronies in the great art linked to the finale of the memorable 2005 Clone Wars Micro Series.

AN 'EMPIRE' AT 40: BEYOND 'A NEW HOPE'...



"If you think about the focus of this part of the Star Wars saga, it's on survival, not triumph. The theme of Empire is that for some people, for some part of their lives, just surviving is enough of a triumph for that moment. And because of that, because of Luke's feeling that he was ready to challenge Vader and then his realisation that he wasn't, and was also unable to save his friend - all these things are important to the emotional state at the end of the story. This episode, the middle act, has to be slower and more sombre in a way. It spends the time to delineate the characters a little better, it explains some of the motivation and so on. It wouldn't work if you had three films that are exactly the same."

Gary Kurtz, responding to criticisms of the time concerning Empire's downbeat cliffhanger finale, to Starburst magazine Issue 23, 1980.




Tuesday, 21 December 2021

AN 'EMPIRE' AT 40: TOGETHER FACING AN UNCERTAIN FUTURE...



More on set and behind the scenes of the final scene's filming on the Medical Frigate set at Elstree Studios, with Mark Hamill and Carrie Fisher, plus Anthony Daniels and Kenny Baker, as they watch their friends depart...



Mark and Carrie have fun behind the scenes.





More fun captured from an alternate angle.




The droids are fully cleaned and repaired.


Filming the separate reaction shots of the golden Threepio and Artoo (heightened for a better camera position) on the set.

A rare moment of humour between Anthony Daniels and Kenny Baker between takes.

The second unit prepare to film a shot with Kenny Baker inside the Artoo shell.


'SOLO': RIDE 'EM, CHEWIE!

Images by Rob Bredow from Making Solo: A Star Wars Story, published by ABRAMS.

The heist begins of the Imperial train transport on Vandor, but not as seen in the finished film of Solo: A Star Wars Story. Before the eventual Summer 2018 re-shoots, it was planned that Han and Chewbacca would ride local beasts of burden, Kod'yoks, during the original interception (shot against blue screen at Pinewood with Alden Ehrenreich and Joonas Suotamo), rather than be aboard Beckett's stolen Imperial craft.

The creatures would ultimately be seen in the finished film but only as background attractions.


Get the acclaimed Industrial Light and Magic Presents: Making Solo: A Star Wars Story, here:

Monday, 20 December 2021

AN 'EMPIRE' AT 40: INTERGALACTIC FALCON!

Image: Star WarsScreenCaps website.

It's goodbye for now to the Millennium Falcon as its crew head back into what looks like the galactic core, bound for Tatooine in their search for Boba Fett. 

A shot of intergalactic beauty adding to the atmosphere of the emotionally subdued cliff-hanger ending to The Empire Strikes Back. In the fifth draft script, the Rebel fleet was to have been parked near a red star, which lent a unique sunset glow on space and the watching rebel heroes during the final scene of the film. There is debate as to what the phenomenon is that our heroes see outside the Medical Frigate main window. ILM referred to it as a spiral nebula, it's also been referred to as a Galaxy. The online debate continues...

Joe Johnston and Dennis Muren attend to the spiral nebula model, its filming elements comprising flour, over-exposure and a mirror on the ILM stage.


Unused ILM starfield painted image.